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Friday, May 31, 2013

Mogsy: The Best Book I've Read This Year



This is where keeping track of my books on Goodreads comes in handy. To narrow down my options for Best Book I've Read This Year, I went straight to my 5-star reads. Still, 2013 isn't even half done yet, and according to my stats I've already racked up quite a few of those. Looking over the list, it was a tough choice, but in the end I had to go with Heir of Novron for overall best read.

Why? Well, Heir of Novron is actually an omnibus that collects the last two books (Wintertide and Percepliquis) of a six-part fantasy series called The Riyria Revelations. The first two omnibuses are Theft of Swords (collecting The Crown Conspiracy and Avempartha) and Rise of Empire (collecting Nyphron Rising and The Emerald Storm), and it's the gradual building up of the over-arching story in these books that made the stunning conclusion such a joy to read.

This is a delightful down-to-earth fantasy series, filled with adventure, action, and a cast of great characters. Once you start the first book, you just can't help but keep going; each installment has its own self-contained story, but the series is also meant to be read a whole. As you make your way through it, you will find that the author has dropped hints of what's to come in the earlier books, WAAAAAY before you even realized it was happening, which is what made Percepliquis such a mind-blowing experience. So many twists and turns, and shocking reveals. Let's just say the word Revelations in the series title is certainly apt.

And the icing on the cake is that the author is such a nice guy. After you finish the series, Michael J. Sullivan asks that you contact him for bonus material. So I sent him an email about it, along with my thanks and comments about how much I loved his books. This led to a back-and-forth email conversation which lasted a couple days where we talked about the themes of the series and he answered all my questions. To be able to discuss a book that I loved so much with the author right after reading it was one of the coolest experiences ever.

Thursday, May 30, 2013

Wendy: The Best Book I've Read This Year

The Hundred Thousand Kingdoms by N.K. Jemisin

This was actually  my favourite book of 2012, but after reading the ebook, I had to have it (and all of N.K. Jemisin's books) on my bookshelf. When it arrived early in 2013, I intended only to skim through to dog ear and highlight all the moments and quotes that had kept me up at nights during my initial read. Instead, I got sucked in all over again. It was even better the second time through, knowing what I did from my first read through. All the little things suddenly had that much more meaning.

Aside from the images and thoughts spilling across Tumblr, one of the things that really attracted me to the book was the author herself who is a woman of colour. It is rare to find people like yourself creating the things that you love so, while I try not to dwell on the paleness of science fiction and fantasy, it increases my enjoyment to be entertained by something that far better reflects life as it could and should be, rather than the reality that sometimes is. It disturbs me that science fiction and fantasy of all things remain bound to our prejudices when the worlds and creatures you can create within these realms should be limitless. It turns out, Ms. Jemisin has much to say on this subject herself:
This genre is rooted in the epic — and the truth is that there are plenty of epics out there which feature people like me. [...] So given all these myths, all these examinations of the possible...how can I not imagine more? How can I not envision an epic set somewhere other than medieval England, about someone other than an awkward white boy? How can I not use every building-block of my history and heritage and imagination when I make shit up?
I have not yet written what I would consider a proper review for this book because my thoughts are just too muddled with emotion, speculation and lots of spoilers. I haven't started the next book in the trilogy because I'm not quite ready for the emotional commitment. Both times I read THTK, it encompassed my thoughts for long hours - days afterward, which is enough for me to say that it is most definitely  five star book in my eyes. I've recommended it to everyone I know!

Book Review: The 5th Wave by Rick Yancey

The 5th Wave by










I only mention this because YA romances that feel corny or awkward have a tendency to drive me absolutely bonkers, but thankfully it was only mildly distracting here. Ultimately, there really wasn't much in this book that took away from my overall enjoyment. D

Wednesday, May 29, 2013

An all female cast for X-Men #1

The much hyped new X-Men #1 is out today! Be sure to grab a copy! No, we're not going to review it just yet because frankly, while the art was fantastic and we're loving seeing our favourite ladies doing their thang, the story isn't quite there yet. No matter, we'll definitely be back for the next issue to find out what happens!


Cover Art: Pathfinder


Tuesday, May 28, 2013

The (Sort of) 30-Day Reading Challenge

There are many 30-Day Challenge memes for every point of interest out there,which means of course there would be one or ten related to books! They are enjoyable activities that allow people to expound on their love or hate for a particular topic and the various elements that comprise it.

They can also be rather time consuming and difficult to manage for people like us who really enjoy sharing our feelings, but can't be bound to the implied daily commitment. So we have altered the requirements a bit to post our individual responses to the questions below whenever we please! Look out for our random 30-Day Reading Challenge posts under this tag.

Day 01 – The best book you read this year
Heir of Novron by Michael J. Sullivan (Mogsy)
The Hundred Thousand Kingdoms by N.K. Jemisin (Wendy)

Day 02 – A book that you’ve read more than three times
The Hobbit by J.R.R. Tolkien (Mogsy)

Day 03 – Your favorite series
The Warlord Chronicles by Bernard Cornwell (Wendy)
Kushiel Universe by Jacqueline Carey (Mogsy)

Day 04 – Favorite book of your favorite series

Day 05 – A book that makes you happy
Fuzzy Nation by John Scalzi (Mogsy)

Day 06 – A book that makes you sad
11/22/63 by Stephen King (Mogsy)

Day 07 – Most underrated book

Day 08 – Most overrated book
The Da Vinci Code by Dan Brown (Wendy)

Day 09 – A book you thought you wouldn’t like but ended up loving

Day 10 – Favorite classic book
Catch-22 by Joseph Heller (Wendy)

Day 11 – A book you hated
Day 12 – A book you used to love but don’t anymore
Day 13 – Your favorite writer
Day 14 – Favorite book of your favorite writer
Day 15 – Favorite male character

Day 16 – Favorite female character
Vergere (Wendy)

Day 17 – Favorite quote from your favorite book
The Handmaid's Tale by Margaret Atwood (Wendy)
Sula by Toni Morrison (Tiara) 
Moon Over Soho by Ben Aaronovitch (Mogsy)

Day 18 – A book that disappointed you

Day 19 – Favorite book turned into a movie
Fight Club by Chuck Palahniuk (Tiara)
Jurassic Park by Michael Crichton (Mogsy)
Gone with the Wind by Margaret Mitchell (Wendy)

Day 20 – Favorite romance book
The Best of All Possible Worlds by Karen Lord (Wendy)
 
Day 21 – Favorite book from your childhood
Day 22 – Favorite book you own
Day 23 – A book you wanted to read for a long time but still haven’t
Day 24 – A book that you wish more people have read
Day 25 – A character who you can relate to the most
Day 26 – A book that changed your opinion about something
Day 27 – The most surprising plot twist or ending

Day 28 – Favorite title
Moms Who Drink and Swear: True Tales of Loving My Kids While Losing My Mind by Nicole Knepper (Tiara)
Sweet Dreams are Made of Teeth by Richard Roberts (Wendy)

Day 29 – A book everyone hated but you liked
Day 30 – Your favorite book of all time

Audiobook Review: Naamah's Curse by Jacqueline Carey

Naamah's Curse by Jacqueline Carey

Kushiel’s Curse continues the adventures of Moirin mac Fainche, now on a quest to find her lover, Bao, who has run off to determine his own fate after their Master Lo sacrificed himself to help Moirin unwittingly bring Bao back to life. Half of Moirin’s soul spark, or diadh-anam, now resides with Bao, guiding her towards him, but making him uncertain of whether or not his feelings for her are genuine.

Leaving Chin behind, Moirin travels through many of the lands of Carey’s world, all of which are based on the real world. Carey seems to be making a point of covering the entire world in her books, with this one crossing Mongolia and India and the next book completing the world tour with the west.

This is, first and foremost, a love story that speaks to the lengths Moirin will go to for those she loves. To be clear, Moirin loves just about everyone. She remains committed to Bao, but Moirin falls in love with the inner beauty and positive traits of many of the people she meets on her journey. As a child of Namaah, Moirin is heavily influenced by desire and believes in the D’Angeline consensual tenet of “Love as thou wilt.”

Through the Alban side of her heritage, Moirin is also a child of the bear goddess, the Maghuin Dhonn.  The gifts from these goddesses are manifest in Moirin and this brings her to the attention of a particular Yeshuan Rebbe intent on cleansing her of all those sins and lead her and other sinners to salvation. When this occurs about a quarter of the way into the book, it got my back up. In the second book of Carey’s adventures in Terre D’Ange, readers are introduced to the Habiru, worshippers of Yeshua and the One God. Due to my Christian upbringing, I tend to balk when I have to deal with the religious beliefs I rebelled against in my youth (unexpectedly) showing up in my entertainment and taking a very prominent role. It’s clear that the cultures and religions in this series are all based on actual cultures and religions and it is very easy to identify them all, so it shouldn’t be a surprise to me to find the Christian god’s involvement – especially since the gods of Terre D’Ange are birthed from that very faith. My prejudice usually isn’t enough to make me turn away, and I appreciated the way Kushiel’s Chosen presented it as something more for its main character, Phèdre, to learn and comprehend in order to achieve her goals. In fact, as the books progress and more cultures and religions earn some focus, Carey does so with great care and respect through her characters. But, unlike the previous adventures with Yeshua where I could get over my religious prejudice because the telling was never delivered with preachiness or condemnation, Moirin’s introduction to the Habiru, it is nothing but preachy and condemning.

As Moirin tries to justify her religious beliefs and subsequent actions to her captors, it felt a lot like it was Carey herself trying to unapologetically validate the “love as though wilt” principle and the licentious behaviour of her D’Angeline people. As if Carey had suffered criticism from some right wing Christian group and needed to vent her frustrations within the story. Later, when Moirin travels to Bhodistan, Carey’s disguised opinion piece moves to the condemnation of the caste system and the Untouchables of India.

I would have liked to avoid comparing Moirin to her predecessor, Phèdre no Delauney, but Moirin does it often enough herself. Moirin also spent a lot of time reiterating events from past books. In her travels, she frequently is asked to tell her story from Namaah’s Kiss, so if you haven’t read that one, you almost don’t need to. But she also goes into a lot of detail about certain events that took place with Imriel de la Courcel, who had his own trilogy in Carey’s Terre D’Ange series. Everything is raised within context, but I found the repetition tedious.

There is a heavy reliance on magic. Originally, the gods’ involvement in the world was clear, but not as heavy handed as it has been with Moirin. All of her decisions are based on the commands of her diadh-anam and plans rely on her ability to “summon the twilight” or make use of her many other abilities. This isn’t necessarily a bad thing, but it is something that has struck me since the Imriel Trilogy, becoming almost the entire focus in Moirin’s Trilogy. The theme is that the gods use their chosen hard, as established with Phèdre   but Phèdre made choices that in some cases, meant defying the gods. I don't expect Moirin to be Phèdre   but I grew disappointed in the way Moirin seemed to be the sum of her god-chosen status, without actually making decisions herself or really even questioning her destiny.

I was disappointed that we really don’t get to spend enough time with Bao and Moirin being together, though I know that was a necessary part of the story of Moirin’s love traversing all obstacles to be with him. I guess that just means I’ll have to read the third book in Moirin’s Trilogy to get my satisfaction!

My final complaint goes to the narrator, Anne Flosnik. I was not fond of her slow speech and the voices she affects for the characters other than Moirin, who tells the story. I particularly did not enjoy the drawn out, hoarsely whispered voice she uses for Bao. It did not match my image of Bao (as portrayed by Godfrey Gao in my head) at all. Not to mention that Flosnik pronounced all the words I’ve been reading for the past seven books entirely *wrong*, of course. Otherwise, the narration was tolerable, but I will definitely be reading the next book myself.

Despite all the complaining, I actually did like the book. It dragged a bit more than I felt was necessary, mainly because of some of the issues I addressed above, but it was still enjoyable. The characters and cultures are all as richly defined as I've come to expect from Carey, and I care about them enough to find out what happens next.
3 of 5 stars

Book Review: The Rithmatist by Brandon Sanderson

The Rithmatist by

Huge fan of Brandon Sanderson here, which is why I was all over this book even though I knew it would take place outside of his Cosmere universe and be a little different from his usual epics. I admit I was mostly curious as to what reading a young adult fantasy novel by him would feel like, since I've never read any of his Alcatraz series books for teens.

On the surface, it didn't feel too different, thanks to Sanderson's unique brand of world-building and magic system creation. The Rithmatist is about 16-year-old Joel Saxon who goes to school at the prestigious Armedius Academy, one of just a handful of Rithmatist schools in the United Isles of America. He is somewhat of an outsider at the school; unlike a lot of his fellow students who are the sons and daughters of politicians, the rich, or other people of influence, his mother is a cleaning lady at the academy, and his father, who died eight years ago in a springrail accident, was its resident chalkmaker. Neither is Joel a Rithmatist, though he desperately wishes to be one.

Rithmatists are a chosen group of magic users who can make chalk-drawn lines, circles and figures called Chalklings come to life and take on unique properties. They are trained at schools like Armedius, then sent on to the wilds of Nebrask where they defend humanity against hordes of dangerous and blood thirsty Wild Chalklings that threaten to overrun the territory. When several Rithmatists students go missing, Joel is assigned to be an assistant to Professor Fitch, the Rithmatist expert tasked to investigate the disappearances.

My first thought while reading this was that the writing is less subtle than I'm used to when reading Sanderson's adult books. Instead of the letting details of the magic system trickle through as you make your way through the plot, there were a couple of pretty big info dumps near the beginning where one character explains Rithmatics to another.

Even then, I didn't find the magic system or the world building to be as robust as it could be, though of course I'm not expecting Sanderson to go on in detail about such things in a young adult novel compared to the the way he does it in a 1000+ page fantasy epic. Still, I found myself asking a lot of questions about Rithmatics; it just felt like a magic system I could poke a lot of holes in without thinking too hard about it.

Rithmatics by itself sounds like a lot of fun, though. Is there something wrong with me that when I think about Rithmatist battles with their defense strategies and Chalklings, my mind immediately went to Pokemon? Or, okay, let's say Magic: The Gathering, or Starcraft, or really any kind of game which involves a fundamental set of rules, strategic gameplay, a combination of chance and skill, and limits that force a player to think quickly and creatively when trying to defeat their opponent.

For Rithmatists, the decision comes down to whether to spend the time drawing a strong defense, or mounting a fast and powerful offense. Despite my skepticism, it really is quite cool. The technical aspects like circles, lines, and ratios didn't interest me so much, but the idea of Chalklings attracted me more speaking from an artist's point of view, since I suspect passion and talent for drawing Chalkings will end up playing into their effectiveness. Obviously, I'm looking forward to seeing more on Chalking theory. Also, I have to mention I really liked the art and diagrams which preceded each new chapter in this book.

Basically, as YA fiction goes, this was amazing. It's like Brandon Sanderson took the crash course on how to write a good YA novel and threw in the works, complete with the teenage protagonist attending a school of magic in an alternate-reality-steampunky kind of world (with a whacked-out archipelago version of the United States and a Europe that has been taken over by invaders from Asia called the JoSeun).

There are even wonky things happening in this book like the lead investigator of a murder case simply taking a 16-year-old at his word, and of course the requisite potential for a romance along with the feel-good Karate Kid-like ending. Still, I loved it all. The last chapter and final scene was just so great, and I'm glad to see there will be future books in this series. Sanderson's flair for fantasy and writing about magic is as usual unparalleled and something you absolutely won't find anywhere else.

Final verdict:
  4 of 5 stars

Monday, May 27, 2013

Book Review: Whispers Under Ground by Ben Aaronovitch

Whispers Under Ground by












Friday, May 24, 2013

Book Review: The Monstrumologist by Rick Yancey

The Monstrumologist by





like, wow, I'm so glad



From the Corner Ink Journal blog


5 of 5 stars

Thursday, May 23, 2013

Book Co-Review: 25 Perfect Days by Mark Tullius

25 Perfect Days by

Expected Date of Publication: June 30, 2013

25 Perfect Days is a collection of twenty-five short stories all linked together in some way, each written from a different character's point of view. The book spans decades and generations, showing the decline of society into a totalitarian state where the government and a radical religion are one and the same, and overpopulation is leading to massive food shortages, congested cities and pollution. It's a scary look at how extreme measures to counter these problems can cost the people their personal freedoms.

And as a special treat, since blog contributors Mogsy and Wendy both recently read this, we thought we'd try something different and do a co-review! Thanks to the publisher and NetGalley for providing review copies.

What did you think of 25 Perfect Days' concept of a dystopian world compared to other books with similar themes?

Wendy: I liked the way things gradually moved into this dystopian future, rather than the usual way the reader is plopped into the chaos and has to learn as we go along. Here, we got to learn with the characters as they were forced into ever worsening situations. Otherwise the concepts that were presented were their own reasonably unique twists on many things we've seen so far, such as the all powerful church combining with state to create this oppression. Some elements, like the weight requirements, were new to me. That chapter was particularly shocking and it was frightening to see the lengths people were going to to remain under the ever decreasing weight cut off.

Mogsy: Yeah, I agree that as dystopian novels go, I thought Mark Tullius did a great job creating his disturbing vision of what could happen if a government is given too much power over its people. And I feel the same way as you regarding the gradual move into the dystopian future. Usually when I read these kinds of books, the dystopia is already in place, as in whatever took place to bring the society to this state has already happened and is in the past.

In 25 Perfect Days, however, we get to see an interpretation of the actual process, the slippery slope which leads to the downfall of a society. Like the book's blurb says, something like this simply doesn’t just happen overnight. It happens by degrees, and I thought the author's way of presenting the novel was a brilliant idea and also quite realistic.

What did you like about the book? What did you think the author did well?

Wendy: I liked the entire concept of moving through these twenty-five days, spelling out this horrible world and the people within it. I liked the way the chapters made you have to think and infer what the different situations meant in order to paint the overall picture of this society. I liked the way the chapters intertwined with the ramifications of actions in the previous chapters weaving through the story, along with the various players.

Mogsy: Yep, the aspect I liked about the book was its creative format, letting the story unfold over a series of short stories that each have their own focus, but are also interlinked through either events or the relationships between characters. It wasn't obvious at first, but after the first few stories, I think a bulb suddenly flashed on in my head and I understood. After that, trying to figure out the connections between the stories became an enjoyable part of the reading experience itself.

Of all the characters in 25 Perfect Days', whose story did you like the most and why?

Mogsy: Of all the characters in the book, I think I liked Maria Salazar and her family the best. She was one of the more memorable characters, and since one of the major themes in this book is about the love and sacrifice needed to survive and overcome the tyranny, I thought the Salazars' stories were all perfect examples.

One of the earlier chapters about Maria's fight to come up with the money to keep her newborn daughter was heartbreaking to read, especially for a mother. And then of course there was the story about Enrique and how he risked everything in order to procure food for his family, not to mention Vanessa Salazar, just an infant at the beginning of this book, who grows up to be a major part of the resistance along with her own child. Their family just seems to be quite central to the book.

Wendy: Honestly, none of the characters really stuck out for me enough to like their stories or the characters themselves because they weren't around long enough. There were characters that I wanted to like and know more about, like the Salazars, but because of the format of the book, we never get enough time with any given character and when we see them next, years have passed.

What didn't you like about the book? What aspect of the book needs improvement?

Wendy: Unfortunately, what I liked about the book is also, I think, its major flaw. The brief chapters developed the world, but it didn't strongly develop the story, and worse, it didn't give me enough time with the characters. Many of them had some really great moments, particularly the ones that sacrificed themselves to help others escape, but other than the obvious nature of their motivations, there just wasn't enough depth to any of them. And since many would show up in the future chapters, it was a bit frustrating when other characters that I thought were important, based on the amount of time spent with them in their chapters, didn't show up at all. By the end of the book, I was just confused with the names, feeling like I needed a spreadsheet on the wall to keep track of everyone. There is a character glossary in the back, but even that proved too confusing. 

Mogsy: I had a similar problem. While I liked the format with all the linked stories and the twenty-five perspectives, this also made it very hard to connect to any one character. Personally, that's very important to me as  reader. It's why I usually hesitate to pick up anthologies or collections of short stories. 

Like I said, there were some central characters or families that play a larger role or are more central to the overall story, but that left the more minor characters in the background. It was hard to keep track of the relationships, especially when it was a struggle to remember certain people. If it weren't for the list of characters and their connections at the end of the book, I wouldn't have been able to remember most of them on my own. I just think that in a book like this, where almost everyone and their stories are linked in some way or another, not being able to recall the details for some of them or why they're important diminishes the full effect somewhat. Interesting how our opinions have such similarities.

Wendy: I wasn't a fan of the ending, where we suddenly have new creatures to deal with. I didn't feel like this was as gradually developed as the other horrific aspects of this future and therefore when these creatures appeared, I had to check if I'd missed some pages. The end felt a bit rushed. It felt like it wanted to prepare for a sequel, but then changed its mind and decided to decimate the remaining characters to ensure a unhappy, reasonably hope-free ending. 

Any final comments about the book?

Mogsy: Overall, 25 Perfect Days was a good read that kept me turning the pages and wondering how much worse this dystopian society could get. Though, now that Wendy's mentioned it in her answer to the last question, I do think the writing could have used a bit more tightening up, especially when it comes to the action scenes. Some of them were quite difficult to follow, especially when it comes to who does what and who speaks certain dialogue. Just some more description and detail into the setting and action would help me play the scenes out in my head and see them a lot clearer. Other than that, I enjoyed this and didn't mind the darker ending too much. It's also nice to read a dystopian novel with elements in it that are more reminiscent of the classics.

Wendy: I'd give this book a B for the effort, but the execution could us some more work to make it cleaner. The chapters could have used more fleshing out to, in turn, allow the characters to be more fleshed out. But I do love the concept and loved that I was completely thrown off of my expectations with the very first chapter. I suppose I was expecting something a lot more pleasant, at least to start, from a book with the word "perfect" in the title!

Mogsy's final verdict:
 3 of 5 stars

Wendy's final verdict:
 2.5 of 5 stars

Character Appreciation Post: Phèdre no Delaunay de Montrève

As painted by Lee Moyer for the
2013 Literary Pin-up Calendar
Who is Phèdre no Delaunay de Montrève?

Born flawed by a scarlet mote in her left eye and given an ill-luck name, Phèdre was sold into indenture at Cereus House when her parents, traveling merchants, ran out of funds. Her flaw and her rebellious nature made others certain that she would amount to very little, until Anafiel Delaunay recognized her as an anguissette, one who derives pleasure from pain. It is said that the gods use their chosen hard - an understatement for Phèdre, chosen by Kushiel, the punisher.   Beginning in the book Kushiel's Dart, Phèdre's adventures would take her across the world, through wars, conspiracies, violence and love to become the most desired courtesan in all of Terre d'Ange and beyond.

But who is she?

As a child, Phèdre could never accept her apparent fate. She constantly ran away from Cereus House, intent on seeing what was beyond the walls of the Night Court and reveling in the danger. When the Dowayne of Cereus House discovered Phèdre cutting herself and taking pleasure in the pain, the Dowayne obeyed her instincts and summoned Anafiel Delaunay.

As a member of Delaunay's house, Phèdre truly came into her own. Delaunay allowed her every opportunity to learn and her inquisitive and brilliant mind gobbled it all up. As long as she did not defy him or common courtesy and protocol, Delaunay encouraged her willingness to speak her mind. She came to understand the power of knowledge, as this was all part of Delaunay's plans. Where best to learn the secrets of men and women but in the bedroom and, as an anguissette who chose to study Naamah's arts, Phèdre was highly desired.

Circumstances painfully removed Delaunay from her life and whisked her away to the northern wilds. Despite being raised in a lifestyle of indulgence in the Night Court, Phèdre is an incredibly adaptable woman and her will to survive ensured that she not only endured her exile in Skaldia, but ensured that her then protector, Joscelin Verreuil, survived too. For those she loves or considers to be under her protection, there is no end that Phèdre will not go for her friends. Whether she is forced by fate or it is of her own choosing, she is an unstoppable force when it comes to those she cares for. Being chosen by Kushiel could be considered a curse by many, but Phèdre embraces it and its responsibilities, no matter how cruelly fate leads her. If Phèdre makes a promise, it will be kept.

I consider Phèdre to be warrior woman - not one that wears armour or bears a weapon. Phèdre's armour and weapons are her mind and body. She earns loyalty and respect through her compassion and willingly submits when she deems it necessary. Through all things, Phèdre endures.

"That which yields is not always weak."

Wednesday, May 22, 2013

Book Review: City of Dragons by Robin Hobb

City of Dragons by













Tuesday, May 21, 2013

Book Review: Bitter Seeds by Ian Tregillis

Bitter Seeds by







She's even crazier and scarier than the Nazi's mad scientist. The people on her own side are afraid of her. Heck, her own brother thinks she's nutters. And yet, her personality is handled just subtly enough so the reader doesn't simply brush her off as just another cookie-cutter psycho supervillain. Personally, I found her fascinating in a creepy, discomforting sort of way, because you're left wondering what could anyone with the perfect ability to see the future and manipulate events possibly have planned for the world? It hurts my head just to work out the paradoxes, and quite frankly I don't really want to think about it at all.

Like I said, there were parts of this book that really disturbed and upset me, but not in the way that would make me want to put it down. Most of the time, it was the penetrating feeling of dread that hit me as I was reading, the anticipation of impending disaster or of waiting for the other shoe to drop. It's a good, suspenseful fear, and I suppose it speaks well of the author that he was able to make me feel this way, because it doesn't normally happen unless I get emotionally invested in the story or the characters. 

I don't want to make this book sound all doom and gloom, though. It's beautifully written and Ian Tregillis has clearly done his homework on the historical period. Despite the occult paranormal and science fiction elements, you get a highly realistic sense of the war setting. The main characters are also very well done; we see the story play out through three main narratives -- Marsh the British agent, Will the warlock, and Klaus the Nazi super soldier -- and between them I got a pretty clear picture of what's happening on all sides.

It's probably true that the ideas in this novel aren't completely original; you can probably recognize elements of them from other works, but the way Tregillis has mashed them together and the context he uses made this a really intriguing read. I'm really looking forward to picking up the rest of the series if it means I'll be getting more of that good stuff.

Science fiction fans with an inclination towards alternate history should definitely check this out, especially if you have an interest in the WWII era.

Final verdict:
4 of 5 stars

Monday, May 20, 2013

New Author Spotlight: Ramsey Isler

Ramsey Isler has figured out how to keep himself busy, balancing his professional techiness and column writing with his many novel writing projects. Somewhere in there he also finds time to blog about the geekier things in life, publishing and more.

1. What are your favourite books and how have they influenced your writing?
When I was 12 years old, I committed to reading Stephen King's The Stand during my summer break from school. My much older brother had read it and I decided, as little brothers often do, to take interest in the same things he liked. The Stand is a massive book at around 1200 pages (I read the uncut edition), and to my twelve-year-old self it was the equivalent of trying to scale a mountain. But I did it. I'm sure many would question whether King's graphic tales are "appropriate" for a kid that age, but I was mature enough to understand and enjoy the way King created a realistic fantasy (and the nightmares only lasted a couple days; no problem). That book really started my interest in writing and reading contemporary fantasy.

As a bona fide geek and engineer by training, I've also always been a fan of sci-fi. Shortly after college I really got into the Star Wars expanded universe novels, and discovered a book called Traitor by Matt Stover. Most people probably wouldn't expect something as seemingly trivial as a Star Wars story to have a huge impact on a writer's life, but this one really changed the way I write. It was more than a sci-fi story — it was filled with complex, mature philosophy and raw emotion. The plot focuses on Han and Leia’s son Jacen, a young Jedi trying to find his place in the universe as he struggles with reconciling his Uncle Luke’s teachings with a violent and cruel alien enemy. Jacen eventually becomes an unwilling student of Vergere, an avian alien who was a member of the Old Jedi Order back before Palpatine took over. She takes Jacen on a far different spiritual path than his Jedi teachings ever did — a journey that deals in many moral gray areas — and she does so through remarkably cruel tutelage. Throughout the book, you’re never quite sure what her motives are, but there’s a definite method to her madness. In the end, Vergere is on the side of the protagonists, but it's not clear if you can call the protagonists the "good" guys, or if the antagonists are really the "bad" guys. It's all a matter of perspective, and each character has elements of both light and dark. That book has become my guide for writing stories that go beyond simple black and white morality tales. I strive for something more thought-provoking instead.

2. What authors have inspired you?
As mentioned above, King and Stover definitely had an impact on me. Although King is often classified as a horror writer, he really is a master of many types of speculative fiction and he's done some remarkable work in my favorite genres. The Dark Tower series is another of my inspirations.

Neil Gaiman has also been a big influence through what he does beyond his novels. He is a remarkable speaker and a wise tutor with plenty of practical advice that has guided my writing career.

Maya Angelou has been an inspiration since I was in grade school, but I came to appreciate her work more as I grew older. Her work taught me that you can say something extremely profound with only a few words. There's an art to telling a big story in small passages. Her poetry provides many lessons on efficient storytelling.

3. Describe your writing process. How do you handle writer’s block and other challenges?My writing process is very cinematic (in my mind, at least). All my stories start out as cool ideas that I envision as "scenes" in my head. Then I develop these major scenes in the manner of a theatrical director choosing a setting, moving set pieces around, and guiding the actors to deliver the best performance. Then, once I have a series of juicy scenes that encompass the main plot points, the rest of the story develops organically from them. I very rarely know what a story will be from beginning to end when I start writing. It all develops during the process of coming up with these scenes and connecting them to each other.

I don't really get writer's block in the sense of not knowing what to write next. My writing challenges come when I know exactly what I want to say, but I have to ensure that it all make sense and fit in with other parts of the story. I despise plot holes, and I really dislike speculative fiction where elements aren't explained adequately or the rules of the world aren't consistent. But I also understand why so many writers are guilty of these things, because it is HARD. It's hard to create fantastical worlds and fill them with believable characters, events, and inventions that just intuitively make sense to the reader without having them think too much about it. Much of writing is actually about thinking, and the most difficult parts of my writing come when I just have to sit down and hash out all the logical and factual issues with a part of my story. It can take a lot of time, but the story always comes out better because of it.

4. What are your future writing plans?I'm currently finishing up my new novel, Clockworkers. Here's the plot in a nutshell: an entrepreneurial young woman inherits a special gift from her father - an elf. She puts him to work building products for her luxury watch company, but she soon discovers that there are certain dangers involved with employing elves. The book puts a brand new perspective on elf tales. The European-based work of Tolkien and the Grimms dominate what we think of as "elves", even though almost every culture in the world has some sort of native folklore about mystical little people. Part of my motivation for writing Clockworkers was to show a more diverse elf cast, but I also just love creating modern folklore, and elves are a topic I've always wanted to explore and reinvent. Plus, I always wanted to write "scary" elves; there's always a tiny bit of Stephen King in my writing.

I'm also working on a sci-fi novella. This one is about video games, artificial intelligence, death, and what happens when all three collide. Look for it on digital book stores in Summer 2013.

There's also an impending sequel to my second novel, The Ninth Order. Sequels can be tough to write, and I want to spend a lot of time getting this one right, so it probably won't be out until next year. But so far it's proving to be very fun to write, and that usually means it will be very fun to read too.

Sunday, May 19, 2013

Worlds without End

As if I need another book-related site to belong to, I've recently discovered Worlds Without End, a fan-run community site for award-winning science fiction, fantasy and horror books. Their motto is "We don't want you to ever have to read a bad book again." In theory, I don't agree with that notion because not all award-winning books are to everyone's liking and not all non-award winning books are bad. Focusing only on award-winning reads means missing a lot of gold!

Not that choosing to focus on award-winning, recognized books is a bad thing. What the site chooses to focus on is, of course, their prerogative. Says Dave Post of Worlds Without End:
"The goal of the site is to give you the tools to find the best books for you. We're not suggesting that you only read the award winning books but the awards do give you a glimpse into what was considered the best or at least what was popular for any given year. We cover a bunch of different awards so you can find the ones that you like and compare the awards and best of lists to see what rises to the top. From there you can read reviews and excerpts and talk to other folks about the books you're interested in and hone in on the likely ones for you. Time has not been kind to all the award winners and there are more than a few right out stinkers in there too. We hope to help you avoid those where we can."
WWE is a well organized and active site inviting you to discover great books. Sign up and you gain access to their BookTrackr that tracks your reading history, highlighting your statistics towards reading all the award winning/nominated books and/or books on various lists of recognition. There are the typical book giveaways, interviews, podcasts, forums and a lot more.

They also run challenges, such as the 2013 Woman of Genre Fiction Reading Challenge, which resulted in me staying up too late last night adding books to my reading list and selecting the authors I want to read for the challenge. Twelve authors for twelve months, including reviews. Gee, how ever will I manage? Challenges like this will help me chip away at that massive to-read pile, helping me to focus on what to read next. Since I'm starting five months late, I don't feel guilty using some of the books I've already read this year.


And here are my plans for the rest!

Book Review: Libriomancer by Jim C. Hines

Libriomancer by





First of all...ugh, why did it have to be vampires?

Seriously though, this was a good book. Even with the vampires. My issues with it, however, have more to do with my hangups with the Libriomancy magic system. Not to sound disparaging, because I don't deny it's a great idea and sounds awesome on paper (it's what first attracted me to the book, remember) but the application of it here was just...messy.

Don't get me wrong, I understand the challenges here. After all, the Libriomancers' ability to reach into books and pull out objects has got to be like the most over-powered superpower ever. This story must have been a plotting nightmare with all the deux ex machina moments just waiting to happen. It just makes sense that logically with so many books in publication, someone somewhere sometime must have written something that would be able to get our hero and his friends out of any and all troublesome situations the bad guys throw at them.

Apparently, the solution to that is to put in rules. Rules like Libriomancers can only pull out smaller objects, no bigger than the size of the open book which is the magical "window" to the world of the book. Or that certain books with dangerous or disgustingly powerful objects are magically "locked" which prevent Libriomancers to bring them into existence. Hermione's Time-Turner device in the Harry Potter series would be a perfect example.

As a result, every chapter you'll get an info dump, Isaac guiding and explaining the nuts and bolts behind the Libriomancy magic system -- what you can do and what you can't do. It's unfortunately very distracting, and I started to wonder after a while if I wouldn't have preferred to put all that out of my mind and simply enjoyed the story, plot holes and all.





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3 of 5 stars