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Showing posts with label Mark Millar. Show all posts
Showing posts with label Mark Millar. Show all posts

Wednesday, May 15, 2013

Graphic Novel Review: Superman - Red Son by Mark Millar

Superman: Red Son by Mark Millar

(A) I don’t like Superman.
(B) This is the best Superman story I’ve ever read.

Twelve hours. That’s all it would have taken to change the course of history and turn the Superman we have grown up with into someone entirely different – or is he that different after all? In Red Son, the capsule from Krypton lands in Russia instead of the United States and, after the boy’s powers manifest, he is taken and raised by Joseph Stalin himself. Superman grows up a communist but, while he appreciates his adoptive father’s ideals, he does not approve of the violent methods. Stalin is grooming him to rule in his stead – just as the people want – but Superman cares nothing for politics. He just wants to help people. I loved this idea because I originally thought that the major motivation behind Superman’s desire to help everyone was primarily instilled in him by Ma and Pa Kent. This implies that it truly is his nature. I adored the scene with Stalin’s jealous son Pyotr who rages at Superman’s compulsive need to fix everything.

When Stalin is murdered, Superman discovers that his super powers can’t save people from poverty. He realizes that the only way he can help everyone is to become president. He puts Russia in order and moves on to the entire world, with only the United States stubbornly refusing him. All the while, the brilliant Lex Luthor continually attempts to defeat Superman in new and interesting ways.

This is a what if? story, but one that doesn’t just skim over the details or throw characters into this alternate realm without good reason for their existence*. Several popular DC characters appear in this story and I was very impressed with their manifestations. I loved how much depth Millar goes into for all the characters, even if for some it is brief. Even though this was an alternate version of the characters, I learned far more about them all than I ever have in their main stories.

*The only character portrayal that really bothered me was Lois Lane – er Lois Luthor. The feisty, bull-headed reporter we know doesn’t really show her head here at all. Instead, we get Jean Grey without the Phoenix entity – a woman defined by the two important male figures in the story. Rather than being Superman’s girl, though they share that brief spark, she’s with Lex who doesn’t give a damn about her because he’s too busy being level 9 intelligence awesome. I would have liked to see Lois as a balancing force in Luthor’s life, but instead he discards her as his focus on Superman intensifies. At least he is polite enough to call her to let her know. And Lois just accepts this. While I appreciate her devotion and determination to stand by her man despite him having no obvious need for her, I just do not see this as Lois Lane and I don’t see any justification for her being with Luthor just because she isn’t with Superman in this incarnation.

I was also a bit concerned with Luthor’s sociopathic portrayal as it began as somewhat caricature-ish. I prefer the Animated Series Luthor who is ridiculously intelligent, but not unaware of emotions. To me, that Luthor simply chooses not to acknowledge emotions, but recognizes that he and others have them and is able to factor emotion into any equation. This Luthor seems oblivious; closer to a mad scientist archetype. But by the end of the book, I was content with where Luthor’s careful machinations ended up.

Otherwise, I loved the incarnations of Wonder Woman – the utter joy she expresses when she tells Superman that she’s happy to finally be talking to someone who can understand her and the sad realization when she comes to understand him. Batman – who’s parents death forges the same man, but this man isn’t merely a well funded crime fighter, and he's willing to go to any length to bring down Superman and the oppressive communist regime. The Green Lantern Corp and the selection of Hal Jordan as recipient of the ring makes so much more sense than what I’ve known in the past.

And I loved poor, naïve Superman himself – yeah, you heard me. Millar takes the time to show us how smart Superman is, but makes it clear that reading a book really fast and retaining the knowledge does not equate with wisdom. Add to that his misguided idealism and Superman is a deadly force. He is so desperate to help everyone and fix everything that he doesn’t realize that we need be able to help ourselves. I love that Millar didn’t let Superman merely figure this out in the finale. It’s an issue that Superman himself raises and discusses with Diana, but ultimately fails to comprehend as he tightens his grip on humanity in desperate need to protect and fix us.

And oh gods when everything came full circle in the end? Just. Brilliant.

5 of 5 stars

Tuesday, February 26, 2013

Wolverine: Old Man Logan by Mark Millar

Wolverine: Old Man Logan by Mark Millar

Not sure what I was expecting when I went into this story, but I was certainly not expecting what I got from this story. This takes place in an alternate timeline fifty years in the future. The supervillains formed a coup putting aside their differences and masterfully executing a plan that leaves many of the world’s superheroes dead. The ones who do manage to survive go into hiding to survive. There’s one exception to this story—Logan.

Logan lives in California, a place known as The Hulklands, with his wife and two children, and he’s taken a vow never to take another life, never to unsheathe his claws again. Sounds quaint, but it’s far from it. Life is hard for Logan and his family. During the conflict that led up to the demise of the superheroes, Bruce Banner took the side of the villains and was rewarded with California. Now, the Hulk offspring run the land ruthlessly, demanding rent from those who dare to dwell there.

After unsuccessfully trying to come up with rent money, Logan has a violent confrontation with the Hulks. He doesn’t defend himself and his family is spared, but the Hulks tell him that he must pay double rent next month. Logan takes a job accompanying Hawkeye, who is still in rare form, across the country for money. It’s during this journey that we learn more about what happened in this big battle and what led Logan to just give up the fight and live his days in peace.

This is a fast-paced story through the wreckage of “Amerika.” Hawkeye and Logan encounter a few familiar faces, such as Emma Frost and Black Bolt, during the story while introducing a few new faces to this bleak world that’s run by some of the world’s biggest criminal minds. In some panels, there was little said, but the art in the panels said so much and really showed how BIG and pivotal this battle turned out to be. It was a visual treat to see how scarred the land was and it leaves readers with so many questions.

The only thing that got annoying was Logan constantly telling Hawkeye that he wouldn’t fight for him, that he wouldn’t kill for him. After a while it became a tired song and dance with Logan, but when Logan finally got a chance to reveal the reasons why he stopped fighting, why he walked away from the mansion and “killed” Wolverine, it’s so poignant and unsettling. Millar managed to capture so much emotion and pain with Logan’s story.

The panel of Logan in tears as he talks about his attempted suicide after the events at the mansion (where Hawkeye points out didn’t work because of his healing factor… duh…) was so sorrowful, especially when he said, “But it hurt, an’ sometimes that’s enough.” There was a simplicity to Millar’s storytelling that really fit Logan and this story.

I won’t spoil the rest of the story. I think this is something that needs to be read and consumed without prior knowledge of the complete storyline to really get into the reality of this new world and let Logan’s life sink in. I read there was talk of a sequel to this, which would be nice if handled with as much poignancy as this one, but even if it doesn’t happen—if it hasn’t already happened—the story ends on a bittersweet note that leaves readers hopeful about what will happen from that point. It doesn’t give you all the answers to the questions it presented in the story, leaving it wide open to speculation.

Final Verdict:
4.5 of 5 stars