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Showing posts with label Octavia E. Butler. Show all posts
Showing posts with label Octavia E. Butler. Show all posts

Wednesday, May 14, 2014

Waiting on Wednesday 05/14/14

"Waiting On Wednesday" is a weekly meme hosted by Breaking the Spine that lets us feature upcoming releases that we can't wait to get our hands on!
Mogsy's Pick:


Tainted Blood by M.L. Brennan - November 4, 2014 (Roc)

I know what you're thinking. Didn't Iron Night just come out in February? TWO Fortitude Scott books in 2014? Oh, it's too good to be true. But it IS true. If you haven't read the Generation V novels yet, just what are you waiting for? Funniest, most unique vampire urban fantasy I've ever read. I've been waiting for the cover image to feature this one, and it was finally revealed last week. Not to sound unhygienic or anything, but I've just gotta get me some Tainted Blood!

"In the third Generation V novel, Fortitude Scott proves that working with family can be deadly…

Former film student Fortitude Scott is finally gainfully employed. Unfortunately, said employment happens to be with a group of sociopathic vampires—his family. And as much as Fort is loath to get too deep into the family business, when his brother, Chivalry, is temporarily unable to run the territory, it’s up to Fort to keep things under control.

So when the leader of a powerful faction of shifters turns up murdered, Fort finds himself tracking down a killer while navigating dangerous rivalries, longtime grudges, and hidden agendas. Even with the help of his foxy kitsune sidekick, Suzume, he’ll need to pull out all the stops to hunt for the paranormal assassin.

But as he calls on fairies, witches, and ghouls for help, he discovers that the problem is much bigger than a single dead werebear. The supernatural community is preparing for a massive shift in power within the Scott family leadership—and Fort has landed right in the middle of the gathering storm.…"

Wendy's Pick:


Ever since my friend introduced me to Octavia E. Butler through her Xenogenesis trilogy, I have been hooked. I own all of her books, even though I have still to read a few of them, and continue to be saddened by her loss. Imagine my utter joy at this discovery. I could not clicky that one-click-buy button fast enough!

Unexpected Stories by Octavia E. Butler - June 24, 2014 (Open Road)


Two never-before-published stories from the archives of one of science fiction’s all-time masters

The novella “A Necessary Being” showcases Octavia E. Butler’s ability to create alien yet fully believable “others.” Tahneh’s father was a Hao, one of a dwindling race whose leadership abilities render them so valuable that their members are captured and forced to govern. When her father dies, Tahneh steps into his place, both chief and prisoner, and for twenty years has ruled without ever meeting another of her kind. She bears her loneliness privately until the day that a Hao youth is spotted wandering into her territory. As her warriors sharpen their weapons, Tahneh must choose between imprisoning the newcomer—and living the rest of her life alone.


The second story in this volume, “Childminder,” was commissioned by Harlan Ellison for his legendary (and never-published) anthology The Last Dangerous Visions™. A disaffected telepath connects with a young girl in a desperate attempt to help her harness her growing powers. But in the richly evocative fiction of Octavia E. Butler, mentorship is a rocky path, and every lesson comes at a price.

Wednesday, September 4, 2013

Cover Lover: #DiversityinSFF


Today's cover lover is inspired by the hashtag #DiversityinSFF.

In Conversations with Octavia Butler, my favourite author explains to her various interviewers that, when she began writing science fiction, the genre was dominated by 30 year old white male protagonists. Initially, she attempted to follow suit, but decided her work was crap. When she embraced a more diverse world and universe, an inspirational award winning author was born.

As a person of colour myself, I don’t actively hunt down books by PoC authors or featuring PoC characters, but it certainly makes me happy when I do find them. A new favourite  author, N.K. Jemisin inspired me to pick up and subsequently love love love her book, The Hundred Thousand Kingdoms, largely thanks to this quote:
This [fantasy] genre is rooted in the epic — and the truth is that there are plenty of epics out there which feature people like me. [...] So given all these myths, all these examinations of the possible...how can I not imagine more? How can I not envision an epic set somewhere other than medieval England, about someone other than an awkward white boy? How can I not use every building-block of my history and heritage and imagination when I make shit up?
But sometimes, all it takes is a cover to immediately attract my attention. I’m a sucker for a beautiful, vibrant, stunning cover and I most recently fell for the beautiful, vibrant, stunning ladies on the covers of these books.
Three Parts Dead by Max Gladstone is now high on my to-read list, and you may have already seen Ascension: A Tangled Axon Novel a few times here at BiblioSanctum. Ascension’s diversity goes far beyond skin deep and impressed me so much that I had to interview author Jacqueline Koyanagi to learn more.

There is a growing number of books about and being told by diverse people. These are merely the two that recently caught my eye. Science fiction and fantasy, of all genres, give us the opportunity to step so far away from our prejudices, and I'm really glad to see authors (and now publishers) finally realizing that there is more to our world and beyond than stories about 30 year old white guys.

Friday, March 15, 2013

Conversations with Octavia Butler by Conseula Francis

Conversations With Octavia Butler (Literary Conversations Series)Conversations With Octavia Butler by Conseula Francis

I have to thank my friend Tracie for recommending Octavia E. Butler to me. I started with her Xenogenesis trilogy, and have been slowly building my collection since. Every time I read a book by Ms. Butler, I find myself wishing I could get inside the her mind. Her works are so far from the typical science fiction, dystopian stories and they share the constant theme of forcing us to question our humanity and society and the rules we adhere to and the many, many prejudices that we are never able to leave behind. With Butler’s passing in 2006, it seemed I wouldn’t have that opportunity, but apparently, Conseula Francis had the same idea and put together this collection of interviews.

Ms. Butler’s target readers are classified as Blacks, feminists and science fiction fans – but these are labels that people have stuck on her work. She did not like labels, though she appreciated their value, especially to a publisher, and understood the human need to categorize everything. Her works do fit into these very basic categories, but what fascinates me most about her books is the way they move so far beyond. “Thinking outside the box” does not even begin to cover it! Her books deal with so many issues and often do so in a way that crosses far into our comfort zones as they hold up a mirror to our humanity, warts and all. I recommend her books to many people, but warn not to expect a happy ending. Her books are realistic – perhaps too much so for some readers. I most recently read Parable of the Talents – a book some readers consider prophetic, though Ms. Butler stressed it was a cautionary tale – and couldn’t help comparing it to the volatile American political and religious situation at the time. Even when her books are dealing with aliens and vampires and mutation, I’ve found her approach to the subject matter makes it seem as though these things really could come to pass, if they have not already. But it is the honest and often harsh way she presents our humanity to us that is what really can get under your skin. Taboo topics like incest, slavery, racism, sexism, rape, pedophilia, religious fanaticism, addiction, hierarchy, genetic engineering, violence and more are often a part of the protagonists’ struggles.

Before this ends up as a “Why You Should Read Octavia E. Butler’s Books,” let me try to focus on this book, specifically. Conversations with Octavia Butler is a collection of interviews with the prize-winning author. There is a reasonable and expected amount of repetition from interview to interview, but some interviewers are more insightful and involved than others. Ms. Butler’s responses to some interviewers could be brief or even impatient in one case where the interviewer perhaps did not do his homework, but in others, she eloquently detailed various topics. I particularly enjoyed the interview with Charles Rowell where her responses to each question could go on for a page or more as she passionately spoke about writing, advice for writers, her inspirations and more.

Her words revealed her enthusiasm for writing and what she wrote revealed her passion for all sorts of topics. Her explanation of her writing process – which involved reading and listening to everything! – was fascinating. I respected how adamantly she defined science fiction and researched her own works accordingly. Simply put, she believed science fiction stories ought to involve actual science. A reader during a radio interview noted that Ms. Butler’s works touch on so many different forms of “science,” from biological, to technological to social to political science, but even when they involve fantastical elements, there is always a grounding that is a reflection of the research she put in.

Being, at the time, the only Black female author in the science fiction genre, writing about Black female characters in a genre that usually featured 30 year old White men, racism and sexism unsurprisingly came up with some of the interviews. Ms. Butler did address the topics, but it becomes clear that she never wrote with an agenda with the specific intent to deal with prejudice. She stressed that she simply wanted to write and initially, she did write about those 30 year old White guys until she realized those early writings were “garbage” and instead started writing herself for herself. The main characters are Black females because that’s what she was. From there, the personalities of the characters grew from her own feelings on certain issues or a desire to explore other issues.

This is something that I really love about Butler’s work. I can’t help but be pleased to find stories that I can relate to with characters that more accurately reflect my own multicultural environment and upbringing. I loved that none of the characters’ race or gender existed out of context or were a case of tokenism. Certainly there was prejudice against characters because of their race or gender, but the characters weren’t simply created Black and/or female specifically to address the topic of racism and/or sexism. Not even in Kindred , where a Black woman is transported to the past where she must deal with the reality of slavery and save her White slavemaster. This could be overlooked as simply “another book about slavery,” but it was fascinating to find out what inspired her to write Kindred. It’s one of the many tidbits I learned about Butler and her work by reading Conversations.

Most of the interviews in Conversations were one on one with Ms. Butler, but the MIT Cultural Studies Project was a highlight, as it featured several other prominent authors and covered some very interesting and still relevant thoughts within the topic of literacy and more.

My only disappointment is that the majority of the interviews focused on Kindred and Parable of the Sower, with some Xenogenesis and Patternmaster in the mix. I would have liked to learn more about Parable of the Talents and Fledgling . I also learned from this book that she had been working on a third part in the Earthseed series, Parable of the Trickster, which would have dealt with the Earthseed colonists struggling to survive their destiny in space. In one of the final interviews, Ms. Butler explained that she intended the colonists’ struggle to be with themselves, not with aliens or galactic conflict. In other words, no matter where humanity goes, the best and worst of us does not change.

I still have a few more of Ms. Butler’s books to read and this book certainly inspires me to get on with that. Reading this satisfied my desire to know more about Octavia E. Butler’s captivating mind, but, especially now that I know about Parable of the Trickster, it saddens me to know that there won’t be anymore conversations.
4 of 5 stars

Sunday, October 28, 2012

Parable of the Talents by Octavia E. Butler


Parable of the Talents by Octavia E. Butler

Octavia E. Butler’s books are not for the squeamish and most certainly not for people who want happy, Hollywood endings. Things work out in the end – but never in a nice neat package. There is always a lot of loss in all of its most painful forms. Her works are very realistic in that matter. In fact, her works are realistic in all matters. They are a reflection of life and of the human spirit. They don’t allow you to escape into science fiction and fantasy as easily as other books in the genre might. They are harsh truths.

Butler’s books are considered science fiction, but she stresses that science fiction is not just about the fantastical, requiring a big suspension of disbelief. Even when her stories involve aliens, mutants or vampires, there is still the sense that such things could very well happen in our very near future.

Monday, April 23, 2012

Patternmaster by Octavia E. Butler

Patternmaster (Patternmaster, #4)Patternmaster by Octavia E. Butler

After Clay’s Ark, I had no idea what to expect with The Patternmaster. What I did not expect was that the Clayark evolution would basically turn those people into animals – albeit really smart human-like animals – and that they would have no real purpose to their existence save to
be obstacles for the protagonists. Their humanity was almost completely stripped away, despite them fighting so hard to maintain what they could of it in Clay’s Ark.

This book focused otherwise entirely on the Patternists. Two brothers, in particular. All of the Patternists of the past books are gone, including Mary, who created the Pattern and there is little spoken of them beyond what purpose they served in history. Not even their names are mentioned. I did appreciate the intricacies detailing how the Pattern and the Patternist society worked and the descriptions of the mental processes and battles.

Other than the Patternists and Clayarks, there are still humans about. “Mutes,” to the Patternists, who consider them little more than smart animals that can be easily manipulated to serve any purpose, from domestic, to brutal, to sexual. The evolution of slavery, where those
who have not evolved, can serve no other purpose.

A few interesting themes show up. One being that society has reverted to a sub-technological level. Apparently, the Clay’s Ark spaceship was the pinnacle of human technology, and, also served as the downfall of the species. No real reason is given as to why the Patternists no longer have use for technology. Certainly communications isn’t necessary. But … air conditioning? Cars? Netflix?

The most interesting thing about this book as the conclusion to the Seed to Harvest series, is that it is rather anti-climactic. With all the build up regarding the Clayarks and the Patternists, I assumed there would be more to it, but as I read on, I kept looking at the number of pages left and realized that the book would remain focused on a small pocket of the greater world. These books aren’t to be viewed as an epic series, connected through characters and adventures. Instead, it is four different stages in the human evolution Butler has imagined. Apparently, no matter how far the human race evolves, men will always compete against men and women will always be treated as inferior. I had hoped for greater juxtaposition with the Clayarks regarding this, but ultimately, this story was simply about two men and their battle for succession.

I don’t want to say that the final book, or the series itself, was disappointing. It simply wasn’t what I expected – and that’s not a bad thing. Butler is proving to me that she is a master of telling a story so far outside the box. Science fiction and fantasy so often follow the same tropes, with a few twists here and there, but Butler completely ignores it all and forces you to think on so many different angles, all while forcing you to question the rules and morals that society sets upon us.
2.5 of 5 stars

Thursday, January 26, 2012

Clay's Ark by Octavia E. Butler

Clay's Ark (Patternmaster, #3)Clay's Ark by Octavia E. Butler

This was the most disturbing books by Octavia E. Butler that I have read yet, further inspiring my desire to have a conversation with her to find out just how that brain worked. Her concepts are fascinating, even when as disturbing as this one.

Perhaps it was the violence and rape of young children that has me troubled. The ending, certainly, is not for the faint of heart. However, I did not dislike this book because of this. My dislike comes, perhaps from a bias regarding its place as part of the Seed to Harvest collection.

Clay's Ark carries the similar theme of a community of humans, mutated both physically and psychologically, who must fight against outward and inward forces to maintain their humanity -- a theme that dominates just about every book I've read from this author. Beyond that and the name, there is very little that relates it to the Patternists created by Mary in Mind of My Mind or the superhumans created by Doro, beginning in Wild Seed. In fact, Clay Dana's involvement is not mentioned until more than half way through the book.

I took a quick peek at the first few pages of Patternmaster and I see the results of Clay's Ark may play a part in that story, but for now, it is an odd addition to the series that perhaps was not intended to be part of the series at all (considering it was created several years after Patternmaster.)
2 of 5 stars

Sunday, December 11, 2011

Wild Seed by Octavia E. Butler

Wild Seed (Patternmaster, #1)Wild Seed by Octavia E. Butler

What a fascinating book. I read Mind of My Mind first, where I met the main characters here, but as that was not their story, they did not have much depth. Reading Wild Seed, it made me somewhat disappointed that they did not have as much to do in the sequel, but as the book progressed, I came to appreciate their diminished roles in Mind of My Mind since their story was told so completely here.

The first striking thing about this book is that it takes place during the time of slave ships where tribes were kidnapping and selling their neighbours. Doro took many of these slaves for his little breeding project, but never treated them as other slaves were treated. But they were no less slaves. Through fear and/or reverence he controlled them. More often than not, his people loved him for what remains almost inexplicable reasons.

Meanwhile, Anyanwu, semi-immortal like Doro, becomes one of his people - as much as it is possible for Doro to tame the "wild seed" that she is.

Again, there is an all-mother/father theme, but one that is far different from what Mary creates in Mind of My Mind. Again, too, the notion of good and evil is forced on you. Is Doro evil for what he does? Is Anyanwu evil for allowing it?

In the end, I came to the realization that this book was, in fact a love story. A strange and twisted romance that crosses every taboo subject regarding sexuality, humanity, loyalty, propriety, marriage...
5 of 5 stars

Wednesday, October 12, 2011

Mind of My Mind by Octavia Butler

Mind of My Mind (Patternmaster, #2)Mind of My Mind by Octavia E. Butler

This was a surprisingly short read, which I picked up as part of the Seed to Harvest series, but have read before Wild Seed.

I'm not sure what I ultimately expected, but what was there was a bit of a let down. There were many themes and issues raised, but none truly pursued. Most notably so was the issue of race. For the most part, characters physical appearances were only vaguely described. Most times, when we came to know someone was Black, it was because Mary was making a comparison or wishing/pleased someone was so (ie wanting to know why Doro had chosen a White husband for her, or being pleased that Doro appeared to her in a Black body). Rachel's race is introduced as a non sequitur that serves no further purpose but to add to Jan's "Oh god, niggers," comment later (we learn earlier that Jan is racist when a Black boy happens past her and therefore we assume she is White, as there does not seem to be any other option but Black or White).

Later, Emma angrily raises the issue of non-telepaths being referred to as "mutes," which she compares to "niggers." Beyond her brief tirade, this is not addressed again beyond the obvious comparison of mutes being used as slaves to the Patternists (though here, the mutes are all very content and mistreatment by Patternists is punished). Emma's tirade is particularly hypocritical since she is as much a slave to Doro as all the rest of Doro's children whom he keeps in line with violence and threats of death.

Overall, this was a very disturbing theme. The notion that one man is working to breed people with super human powers, particularly telepathy. Those who are failed experiments are left to die, while the successes eventually come together thanks to Mary, who is Doro's ultimate success and thereby becomes his ultimate rival. Between the two of them, there are thousands of people running around the country with the ability to control minds, or inflicting horrible violence against others because they can't control their own minds. Apparently, domestic violence is caused by this lack of control in active and latent telepaths.

There is an attempt to offer a mother/father juxtaposition, where Doro is the cruel male figure whom his children love, though they know he cares nothing for them and would quickly kill them. Mary is the mother figure whom we assume is the representation of nurturing, but in fact, while she displays much greater conscience than Doro, she's most certainly not a Mother Theresa figure.

One thing I did appreciate was the fact that there was no good vs. evil. Doro might have been considered an evil worthy of destruction, but how much of Mary could truly be considered "good?"
3 of 5 stars