Book Review: Murder by Sarah Pinborough

Murder by Sarah Pinborough

Genre: Horror, Fantasy

Series: Book 2 of Mayhem

Publisher: Jo Fletcher (April 24, 2014)

Author Information: Website | Twitter

Mogsy's Rating: 5 of 5 stars
 

One of the most common things you'll hear about books these days is that everything seems to be a series. I know I myself have talked about series burnout on more than a few occasions and expressed a desire to see more stand-alones. However! Every once in a while the news of an unexpected sequel will make me jump up and down for joy! And this is most definitely one of those times.

Murder can be seen as the follow-up to Mayhem, the chilling paranormal horror novel by Sarah Pinborough that was published last year from Jo Fletcher Books. Sort-of-but-not-really about Jack the Ripper, the book and its clever combination of historical fact and fiction intermixed with supernatural elements quickly vaulted it onto my list of all-time favorites.

I should probably mention too that Mayhem works perfectly well as a stand-alone, but that I was also thrilled when I found out about Murder for reasons beyond the fact I am such a fan of its forerunner. Sarah Pinborough clearly had a lot more in store for Dr. Thomas Bond, the protagonist in these books. It should be noted that the real Dr. Thomas Bond was a very important figure in British crime history, best known for his work as the police surgeon on a lot of the Whitechapel murder investigations between 1887-1891. I’ve always believed that the best horror stories are rooted in reality, and being aware of the shocking turns in Bond’s career and later years also made me really excited to see what the author would do next.

Once again, Sarah Pinborough succeeds in bringing life and depth to her characters, several of whom were figures from history. A lot of the gruesome events described in this novel also actually happened, even the line in the description about bodies of children being pulled from the Thames (see the Victorian England baby farm murders). Pinborough flawlessly weaves a thread of supernatural into the story, but even then things can sometimes get too real. I think that’s why historical horrors are often so effective at terrifying me!

So now I’ll try my best to explain why I simply adored this book without giving away any spoilers for Mayhem: First, I love how these books aren’t about any one killer or murder case. Rather, all that serves as a backdrop in order to focus on something a lot more otherworldly and evil. Malevolence has settled upon London, and Dr. Thomas Bond is inextricably linked to it. Try as he might, he can’t escape the pull of the past. Because of this, Bond becomes an increasingly unreliable narrator, and having been familiar with his steadfast pragmatism up until this point, his downward spiral only makes the situation even more disconcerting. Like in Mayhem, Bond’s chapters are the only ones written in the first person, while others are in the third person. This point-of-view switching allows us to see a fuller picture, and it works even better here since our main protagonist’s credibility has been severely compromised.

Ms. Pinborough doesn’t hold anything back. Despite the kind of person Bond becomes, I felt for him; I really did. But clearly the author knows what needs to happen, and she carries out the plot with a cold eye and sees it all through mercilessly. And honestly? It made for an amazing book. There were some truly unexpected turns in the plot. At times, I couldn’t even believe it. You’ll be appalled and filled with hatred. Your heart will break. And you’ll also marvel at the amazing things the author has  accomplished here with character development.

This book was just so good. Dark, disturbing, and full of tension -- just the way I like my horror. It was not a fast-paced book, and yet...the story had this way of worming into my mind. This is definitely the kind of book you'll find yourself thinking about even when you’re not reading, and hoping that it won’t be long until you can pick it up again.

A review copy of this book was provided to me by the publisher in exchange for an honest review. My thanks to Jo Fletcher Books

Book Review: The Lives of Tao by Wesley Chu (#LoTaoLT)

The Lives of Tao by Wesley Chu

Genre: Science Fiction, Historical Fiction

Publisher: Angry Robot

Publication Date: April 2013

Narrator: Mikael Naramore

Author Info: www.chuforthought.com

Wendy's Rating: 4 of 5 stars

I had so much fun livetweeting my read that I did it again with Wesley Chu at #LoTaoLT and lots of fun. I'm certain The Lives of Tao is a little peek in to Chu's mind and I would definitely like to raid his movie collection and compare notes on the Terminator saga one day...

The prologue introduces us to Edward, host to the alien named Tao. They have an amusing relationship that we soon learn goes well beyond mere parasite and host. Their friendship is very real and, in a surprising turn of events for so early in the book, I found myself already caring for Tao.

Following the events of the prologue, Tao ends up in a new host, Roen Tan, who is not exactly the ideal soldier for the Quasings' great big, millennia old war between their factions, the Genjix and the Prophus. Roen lacks confidence, ambition, and physical skills, therefore Tao and his companions have a big task ahead of them in training Roen.

While Roen does play a huge part in the story as Tao's host, this book is called the Lives of Tao. But Chu does a great job of letting Tao have some of the focus, with each chapter opening with Tao describing his time with some of his past hosts. This insight into some of history's great heroes and villains is moving, and it is integral to the overall story of the Quasings and their war on earth. I loved the way Chu worked in our history, sometimes in depth, other times in passing comments -- but it becomes clear that the Quasings have had their hands in every major event in our history. It also becomes clear that there really are no good guys in this.

The first half of the story involves Tao getting Roen in shape and teaching him the ins and outs of survival as an agent of the Prophus, with the help of another agent, Sonya. I really liked the natural progression of Roen's preparations, that comes complete with his disgruntled lack of appreciation for the process. Chu doesn't immediately -- or ever turn Roen into a super agent who can suddenly kick ass. He survives some of his missions by luck and by the skills and sacrifices of others. And when it comes to the final showdown, he doesn't magically overcome. Despite the whole concept of aliens on our planet, Chu keeps this story and all the characters very real and down to earth.

Thanks to WhisperSync, I both read and listened to this and enjoyed both options. Mikael Naramore's narration was great, with special love for his enigmatic Tao.

Waiting on Wednesday 03/12/14

"Waiting On Wednesday" is a weekly meme hosted by Breaking the Spine that lets us feature upcoming releases that we can't wait to get our hands on!

Mogsy's Pick

Murder by Sarah Pinborough: May 1, 2014 (Jo Fletcher Books)

This week I'm really hankering for this sequel to Mayhem by Sarah Pinborough, a great supernatural horror novel I read last year about the Whitechapel murders...which actually didn't turn out to be a story about Jack the Ripper! Some of the killings between 1888 and 1891 were different enough that investigators theorized that they could have been committed by another person other than Jack. The idea of a separate "Torso Killer" in these "Thames Mysteries" is what formed the basis for that book. Now Dr. Thomas Bond, Police Surgeon, is back on the case, because true evil never takes a break. 

I love these UK covers too!

"Dr. Thomas Bond, Police Surgeon, is still recovering from the event of the previous year when Jack the Ripper haunted the streets of London - and a more malign enemy hid in his shadow. Bond and the others who worked on the gruesome case are still stalked by its legacies, both psychological and tangible.

But now the bodies of children are being pulled from the Thames... and Bond is about to become inextricably linked with an uncanny, undying enemy."

Book Review: Netherworld by Lisa Morton

Netherworld by Lisa Morton

Genre: Historical Fiction, Paranormal

Series: Book 1 of The Chronicles of Diana Furnaval

Publisher: JournalStone

Date of Publication: January 10, 2014

Author Information: Website

Mogsy's Rating: 2.5 of 5 stars - "Enjoyable, with moments of ingenuity; though overall the story's pacing felt disorganized and inconsistent"

The fascinating concept behind this book was what first drew me in and made me decide to take a chance on it. Featuring a kickass nineteenth-century female demon hunter on a journey across the globe to track down and kill some very unconventional monsters, Netherworld appeared to have everything I was looking for and sounded very promising.

The book follows Lady Diana Furnaval, a young widow who has inherited much more than her husband's estates after his death. Lord William Furnaval turns out to have been one of the last guardians of the mysterious gateways that lead into Netherworld, the place where demons and other malevolent spirits make their homes. With him gone, it is up to Diana to take up the mantle to secure these portals, though she is determined to take things one step further and close them forever.

Diana's personal mission takes her to gateways located in faraway places. In China, she meets and befriends a young Cantonese sailor named Yi-kin, who accompanies her and her cat on their demon hunting adventures. Retracing her husband's final journey, she also uncovers some disturbing information about his death which leads her to believe there is much more to the story.

After reading this book, my general impression is that Lisa Morton is definitely familiar with the ingredients which make up an effective and compelling tale. And yet, while all the elements were in place, the actual storytelling felt disorganized and inconsistent, with the pacing feeling very rushed in certain places. For instance, I had a hard time getting into this book because the several of the opening chapters felt so disconnected and unfeeling, especially with the quick play-by-play explanation of the circumstances behind Lord William Furnaval's death, as well as the portion taken from his journal.

To its credit, the book falls back into an easier groove after this point, though the ending once again runs into issues with uneven pacing. The climax and conclusion felt glossed over, and overall the story had so many plot points and ideas that it was difficult not to wish for things to slow down a little, just to catch my breath and enjoy the different places and people Diana encounters. The book isn't that long to begin with, and yet we go from Transylvania to India to China to America to England and to Ireland, and in each place we only get to stay long enough for the characters to kill a few demons and close a gateway.

There's just so much more that could have been explored, and given how the author seems quite fond of providing historical details of the different locales Diana visits, I don't know why she didn't seize the opportunity to flesh them out. After all, I love how the story delves into legends and lore outside of the Western tradition. In particular, I enjoyed the inclusion of Chinese vampires or jiangshi (called goong-si in this novel because it uses the Cantonese dialect) and it's clear Lisa Morton did a lot of research into them to ensure her descriptions and translations are as accurate as possible. It's always interesting whenever I see an unconventional take on supernatural monsters, and in this case we're looking at them through the lens of other cultures.

Overall, I think I expected more from this book. The story itself was admittedly quite enjoyable, though the haphazard pacing and execution of ideas took a lot of the fun out of it. Here and there, I have to give it major points for moments of ingenuity, but in the end this just wasn't my cup of tea.

 2.5 of 5 stars

 A review copy of this book was provided to me by the publisher via LibraryThing in exchange for an honest review.

Book Review: Warrior of the West by M.K. Hume

Warrior of the West by M.K. Hume

Genre: Historical Fiction, Fantasy

Series: Book 2 of King Arthur

Publisher: Atria

Date of Publication: January 7, 2014

Author Information: Website | Twitter

Mogsy's Rating: 4 of 5 stars - "Hume takes her expertise on the legend and history of King Arthur and weaves in her own personal imaginings, portraying many prominent figures of the mythos in unique, intriguing ways"

Of the many re-tellings and interpretations I've read based on the King Arthur mythos, I think M.K. Hume's is probably the most "scholarly" version I've ever come across. As an expert on Arthurian literature writing the series as more of a historical fiction than a fantasy, the author clearly went to great lengths to find the most accurate accounts of Arthur's reign. Still, she ultimately chose to tell the legends her way, and there are certainly no shortage of surprises here.

This is the second book of Hume's King Arthur trilogy. The first book Dragon's Child was about how Artor (Arthur) won his crown to become High King of the Britons, while Warrior of the West takes place approximately twelve years after that. The story almost feels like it is split into two parts, with the first half of the novel focusing on the war against Glamdring Ironfist and his army of Saxon invaders. 

But while it was undoubtedly the right call for Hume to open the book with the excitement and conflict of a war campaign, I personally found the events of the second half of the novel more engaging. Having driven back his enemies, the rest of the book centers around Artor's efforts to establish his throne and his need for a legitimate heir. This, of course, is where Wenhaver (Guenevere) comes in, and the interesting part begins.

I have to say this book's characterization of Wenhaver is one of my favorite portrayals of King Arthur's queen that I've ever encountered. Simply put, she's a terrible, vicious person, little more than a spoiled child accustomed to using her beauty to get what she wants. In her afterword, Hume confesses that she has never much liked Guenevere or her character's relevance as someone who could bring ruin to an entire kingdom for the love of another man, and yet could still retain her likeability as a person. I've never thought about it that way, but the fact that Guenevere and her part in the legend has always been heavily romanticized is true enough. 

However, in this story Wenhaver is a vile, jealous and sadistic character who cheats on her husband out of spite. Hume also leaves the character of Lancelot out entirely, which makes sense because she is staying faithful to the older versions of the legend (Lancelot is thought to have been absorbed into the Arthurian tradition after he was introduced by the French romances). But while there's no love lost between king and queen, Hume cultivates her character relationships in other places. 

As a counterpoint to Wenhaver, we have Nimue, known commonly as the Lady of the Lake who enchants the heart of Merlin. Nimue is the polar opposite of Wenhaver, being a sweet, kindly and down-to-earth young woman -- which again is an intriguing portrayal of a key figure that is very different and unique. I love the background Hume has written for Nimue, while still managing to tie in a lot of the elements from the more popular versions of the legend, including her relationship with Myrddion Merlinus. 

In spite of this, the story also feels grounded in historical reality, which I'm sure is due largely to Hume's research and academic expertise. The nature of the writing style also puts you right there, and is quite effective at emphasizing the brutality of the times. In some ways, the starkness of the prose makes the violence seem so much worse, making me feel a lot more squeamish. Indeed, the author does not spare us from the darker, bloodier side of forging a kingdom. 

As you can see, the book veers off a great deal from the more "accepted" versions of the King Arthur legend, but that is also what I love best about it. The way Hume weaves her own personal imaginings into a framework which brings together myth and legend with historical accounts is what's making this series stand out for me. It's true that these novels lean further into historical fiction territory than fantasy, making them quite different than the type of books I'm currently reading now, but I'm definitely looking forward to checking out the conclusion of this trilogy.

 4 of 5 stars

A review copy of this book was provided to me by the publisher via NetGalley in exchange for an honest review.

Book Review: The Abominable by Dan Simmons

The Abominable by Dan Simmons

Genre: Historical Fiction Horror

Series: Stand Alone

Publisher: Little, Brown and Company

Date of Publication: October 22, 2013

Author Information: Website

Mogsy's Rating: 3 of 5 stars - "A decent book that is not without its high points; story is paced slowly and weighed down with a lot of technical detail"

Dan Simmons has always been hit or miss for me, but I have to say his historical-horror novel The Terror about Franklin's lost expedition to the arctic remains one of my all time favorite books ever. While his newest novel The Abominable may not be a follow up, it certainly can be considered a companion piece; the fact that both books seem to share the same vein made me hopeful that Simmons will blow me away again. 

Unfortunately, that just didn't happen. Still, the book started promisingly enough, with an introduction from the author that really isn't an introduction at all. Instead, it's an interesting little meta-story about how Dan Simmons came upon a manuscript of this book, starting with a visit more than ten years ago to a former mountaineer named Jake Perry in a Colorado nursing home. The Abominable is essentially Jake's account of his 1926 expedition to Mount Everest, which Simmons receives in the form of a whole stack of notebooks hand-written by the old man.

Thus it was not so surprising that most of this book read like a memoir. What did surprise me, however, was how little action there was in a book supposedly touted as a "thrilling tale of supernatural adventure". A good chunk of it felt more like a guide to mountain climbing, complete with descriptions of climbing techniques and equipment which Simmons goes into with exhaustive detail. 

Okay, I'll give that it's interesting and all, but where's the relevance? I was more than a quarter of the way through this book (and that's about 150 pages in this monster of a novel) and they still weren't even in the Himalayas yet. At a certain point, I just desperately wanted the story to get moving, and the last thing I needed was yet another dozen or so pages on ice axes and 12-point crampons. At the end of this book, I felt like knew the ins-and-outs of how a Primus stove works more intimately than some of the main characters. This really bothered me, especially since I've never known Simmons to be the kind of author to flaunt his knowledge or research prowess by overwhelming the reader with unnecessary info dumps.

When he does get around to the action though, it can be very suspenseful. If I'd ever entertained thoughts of becoming a mountain climber, this book pretty much killed them dead. Mountain climbers are insane; I'll settle for living their adventures vicariously though books like this one, thanks. That being said, readers with a fear of heights might have a rough time with this, and of course Simmons is also the master of pushing his characters to extremes by placing them in these horrible, godforsaken situations. And it doesn't get any scarier and more extreme than on Mount Everest. 

To date, more than a thousand people have reached Everest's summit including a thirteen-year-old, but it's still one of the most treacherous mountains in the world, killing climbers every year. Can you imagine what a nightmare it must have been like in the 1920s? Climbers back then didn't have our current tech, didn't have the kind of safety gear and improved equipment we have today. It was less than a hundred years ago, and conquering Everest was still just a dream. Or more like, a hopeless challenge. When you read The Abominable and take in the struggles of Jake Perry and his companions, Simmons doesn't let you forget that for a second. 

Nevertheless, this book fell short of my expectations. Its dragging pace played into this, certainly. By the time things really started to heat up it was already three-quarters of the way through the book and a little too late. Still, it was the climax and big reveal that disappointed me the most. Without going into spoilers, let's just say that one of the reasons I loved The Terror so much was its touch of the supernatural. From its description, The Abominable looks like it teases the same, but things didn't actually turn out that way. The big twist was ultimately a let down, and I'll just leave it at that.

Bottom line, this book was not as good as I thought it would be, though it is not without its high points. History buffs with an interest in Everest and mountaineering will find the some of the details here fascinating (the doomed 1924 British Mount Everest Expedition and the deaths of renowned climbers George Mallory and Andrew Irvine served indirectly as a background for this novel) and a few sections of the plot are genuinely terrifying. Still, it is very little payoff for the amount of effort. The Abominable was a decent book, but I just wished it had been more the "bone-chilling, pulse-pounding story of supernatural suspense" its description vaunted.

 3 of 5 stars

Book Review: The Falconer by Elizabeth May

The Falconer by Elizabeth May

Genre: Paranormal Fantasy

Series: Book 1 of The Falconer

Publisher: Gollancz

Date of Publication: September 26, 2013

Author Information: Website | Twitter

Mogsy's Rating: 4 of 5 stars - "Starring a spirited heroine living a double life, this paranormal fantasy about the Fae is a lot of fun and has me hooked"

I was initially drawn to The Falconer thanks to that striking cover. Just absolutely gorgeous! And then I read the book's description and saw that the story was no slouch either. A mix of paranormal fantasy and historical fiction, the Fae, and a spirited heroine made this one sound very inviting.

It is Scotland and the year is 1844. A year has passed since Aileana Kameron was found standing over the dead body of her mother, covered in blood. Everyone thinks she has something to do with it, but Aileana knows the truth. It was a faery who killed her mother and ripped out her heart. 

Now all Aileana wants is revenge. As a result, she lives a double life, pretending to be interested in frivolous things like dances and dresses when making her appearances in high society, but when the light fades she goes out hunting. Night after night, she tracks and kills Fae, using the skills learned from her mentor, Kiaran MacKay. Kiaran, who is a faery himself, has his own reasons for wanting to see his own kind dead, but Aileana doesn't care, not as long as their goals align...and as long as she doesn't get too close.

Despite bits of historical context hinted here and there, the setting didn't actually feel like historical fiction to me. Or very Scottish, for that matter. Elizabeth May has pretty much created her own world in The Falconer; the place and time period don't matter all that much to the story anyway, but the light flavor of steampunk is a nice touch. The world is filled with all sorts of wonderful contraptions, like tea dispensers and floating lights, and Aileana is something of a tinkerer, designing and creating weapons and even her own flying machine.

Aileana herself is a great character, as fiery and determined as that amazing cover makes her out to be. When it comes to female protagonists in paranormal fiction, she ranks amongst the best I've ever met, mostly because she comes off as able and intelligent rather than irritating in her conviction. However, if I had to pick a favorite character in this book, the honor would go to her pixie sidekick-like companion Derrick. I loved that humorous, honey-guzzling little guy! 

I also didn't realize until after I finished reading that The Falconer has been categorized as Young Adult. I suppose in retrospect, the book contains quite a few trappings of the genre, but honestly, they didn't jump out at me at the time. Aileana is 18 years old, but her experiences have made her older than her years, and even the story's love triangle, which I usually dread, was bearable because it wasn't quite like a real love triangle. Even as a YA novel, I feel The Falconer has excellent crossover appeal.

My final thought, and perhaps also a warning, is that this book ends in a cliffhanger, perhaps one of the more infuriating ones I've encountered in recent years. The final scenes with Aileana and Kiaran against the Fae threat were so intense and suspenseful! And when I saw that there were still quite a pages left in the book, I got all anxious and prepared for the conclusion to be revealed...only to find out that the last chapter was actually a Bestiary. Arrrggh! 

So bravo, Elizabeth May, you have me hooked. Some might say The Falconer is pretty standard in terms of paranormal fantasy, but so help me, it was a fast read and such good fun.

4 of 5 stars

I received a copy of this book via a giveaway hosted by the publisher. All opinions expressed are my own.

Book Review: Letters From A Murderer by John Matthews

Letters From A Murderer by John Matthews

Genre: Historical Mystery

Series: Book 1 of Finley Jameson and Joseph Argenti

Publisher: Exhibit A

Date of Publication: September 24, 2013

Author Information: Website

Mogsy's Rating: 3.5 of 5 stars - "Some surprises to be found amidst an exciting mix of mystery and suspense, in this novel reminiscent of classics like Sherlock Homes"  

Angry Robot may be one of my favorite speculative fiction publishers, but when it comes to their Mystery/Crime imprint Exhibit A, I have to say I'm pretty much clueless. Naturally, I was curious about their books, and Letters From a Murderer immediately caught my eye. After all, historical fiction is one of my favorite genres after science fiction and fantasy, and Jack the Ripper is the subject of another great book I read recently, and for that reason my interest in Ripper stories was still very much piqued.

However, there is one notable aspect about this Ripper story  -- it takes place in New York, 1891. This was around the time when the string of brutal murders in Whitechapel and east London seemed to have stopped, leading authorities to speculate that the killer must have died, gotten arrested, or moved on. So when the book opens with a prostitute in New York found murdered in a similar way, uncomfortable questions are raised about whether or not the Ripper might have crossed the Atlantic.

While I know it's not exactly new, this idea is something I've personally never encountered before in a Jack the Ripper related novel. There are whole new dynamics at work here, admidst the complexities of the city's criminal underworld as well as dark secrets in the main character Finley Jameson's past.  As one of the original English pathologists on the Ripper case, Jameson is teamed up with New York detective Joseph Argenti, and together they try to catch the murderer before he can claim more victims. The "Letters" in the book's title have a two meanings, referring to the messages the killer sends to the press taunting the police, as well as the symbols found carved onto the victims' bodies.

I enjoyed this, even though I'll admit I didn't fully appreciate the cleverness of the story until well into the book, when the major "twist" was revealed to shake things up. Before this, the book held my interest but did not exceed my expectations; the plot held a lot of the usual elements I would expect from a novel of this genre and type. In this historical mystery, the "history" takes more of a backseat as this is a mystery-thriller first and foremost, complete with gang violence and corruption, conspiracies and lies. Some of the characters fell into familiar archetypes, like the mob boss Tierney (evil and insane) or Jameson's assistant Lawrence (the troubled but brilliant intellectual). On the other hand, this can be seen as a postive if you prefer books that are reminiscent of classics like Sherlock Homes, as this one definitely has that vibe.

The best part, however, is something I can't really talk about much in my review for fear of spoilers, but the aforementioned dark secrets in Jameson's past have a lot to do with it. Suddenly, everything that came before in the novel held more significance and meaning, including the details I thought were just par for the course in Jameson and Argenti's investigation. For a book that I didn't think was going to surprise me, it sure threw me for a loop there, keeping me guessing and wondering and beating myself up for not realizing before that this was where the author was going.

Alas, that little side plot in the story was over all too quickly, but the remainder of the book set a much more rigorous pace, with an exciting mix of suspense and mystery as our investigators have to try and solve the puzzle and deal with Tierney's men at the same time. I thought everything unfolded naturally and came together very well at the end, and fans of crime fiction or historical mysteries will probably find lots to like about this one, especially if you have an interest in Sherlock-Holmes-style books or Jack the Ripper stories.

 3.5 of 5 stars

Audiobook Review: Thieftaker by D.B. Jackson

Thieftaker by D.B. Jackson

Genre: Historical Fiction, Urban Fantasy

Series: Book 1 of The Thieftaker Chronicles

Publisher: Tor Books

Date of Publication: July 3, 2012 (Reissue)

Author Information: website | twitter

My Rating: 4 of 5 stars - An excellent historical urban fantasy that managed to meld the magic and history in a way that felt realistic without succumbing to vacuous pitfalls. 

This book marks the first book I've completed using Audible's Whispersync, which allows readers to switch between listening and reading (the Kindle version) without losing their place. It's a great feature to have and one that is particularly useful for people like me who often end up leaving the audiobook to read the book. This gives me an incentive to come back to the audiobook, though, since it saves my place, which means I can listen to it when I can't read the book or just feel like listening and then resume the book when I'm ready.

Thieftaker starts in 1765, eight years before the Boston Tea Party and eleven years before the Revolutionary War. Civil unrest is stirring, growing from a mewl to a roar, as the colonies begin to rebel against the taxes forced on them by the British crown.

The story centers around the thieftaker Ethan Kaille. As a thieftaker, Ethan is tasked with finding the stolen property of others in exchange for payment. Ethan's true power rests in his ability to conjure spells--a power that damned him in his former life as a sailor, but has aided him in his current profession as a thieftaker.

During one of the late-night riots against the crown that are starting to plague the city, a wealthy businessman's daughter is found dead in the streets without a mark on her, and a brooch is taken from her possession. While "witchcraft" is frowned on, Abner Berson, the businessman, is well aware that his daughter's death is probably magical in nature and requires Ethan's talents to find his daughter's missing brooch and her murderer.

Finding the culprit proves to be quite the challenge as Ethan realizes he's up against a conjurer of immense talent paired with the fact that a powerful rival thieftaker named Sephira Pryce has it out for him.

Could one book hold any more things that I love than this one? It's a historical fiction, but wait, it's also an urban fantasy set in historical Boston. Why don't we just throw in a little alternate history to sweeten the pot?

As a history nerd, I liked that the story is set around factual historical events. Ethan may not be real, but his profession is seeded in historical fact. Jackson uses the events leading up to the Revolutionary War as the backdrop for his story, so there are cameos by people such Samuel Adams and James Otis, Jr.

Ethan's case itself is tied heavily to the politics plaguing the city. Even though he tries not to get mired into politics himself, he's finding it hard to avoid as his investigation seems to move deeper and deeper into politics. One thing I really enjoyed about the political aspects of this story of this story is that Ethan's opinion of the historical events around him are very gray.

The history isn't painted with a patriotic slant, if that makes sense. Ethan considers himself a servant of the crown, but he does understand the plight of the people in the colonies. The activities of Samuel Adams and the Sons of Liberty aren't assumed to be correct and aren't written to make a heart bleed red, white, and blue with all the patriotism. Instead it focuses more on the everyday man's outlook and how it does or doesn't affect his life.

Jackson also does a commendable job with combining the magic and history. He's managed to make the magic feel believable without falling prey to some of the pitfalls of other stories that have taken a similar approach. It doesn't feel forced or trite in contrast to its setting, which can often happens when trying to base a magical story around actual historical fact. Usually, I find with books like this that the magic feels out of place in the story, but that wasn't a problem here.

This book features a colorful cast of characters, and I really liked Ethan whose trying to do the best he can after living a very hard life prior to returning to Boston. One thing that I'm often guilty of is giving male characters in an urban fantasy setting the "Harry Dresden" test and making unjust comparisons. I think part of this reason is because so many male urban fantasy leads have similar qualities that make it so easy to compare and contrast (and this is true of many female urban fantasy characters, too). I didn't do this so much with Ethan because after a while he felt like a different breed of male protagonist. His experiences, his views on his own magic, really made his character feel a bit distinct. Jonathan Davis, who recently made it to my favorite narrators list, did a wonderful job of bringing Ethan to life with his narration, so that might've helped my view.

Some of the other supporting characters felt a little flimsy and really only served one purpose to the story, but they were mostly likable, just not the type of characters who'd stick with you with a few exceptions. While I'm on supporting characters, I should get a complaint out the way. Sephira's role in the story started getting on my nerves a little after a while. Sephira is definitely a character that you love to hate, but her motivations after a while just felt a little weak. I think she's a great antagonist and rival to Ethan, but her involvement in his investigation after a while just made me raise my eyebrow even after her explanation.

As ubiquitous as her presence and influence is in this story, it felt like she was a little too involved with the matter and her impact started to kind of diminish when she kept showing up to try to dominate Ethan's life or whatever. Her motivations seemed rather flaky and conflicting. However, I am interested to see how she further complicates Ethan's adventures, and that really is a minor complaint for an otherwise engaging story.

In short, I thought this was an excellent historical urban fantasy that managed to meld the magic and history in a way that felt realistic. The magic isn't so fantastic and in-your-face that it doesn't mesh weld with the gritty world its set. Ethan is a wonderfully interesting character whose flaws run a bit deeper than a self-deprecating self-view hidden behind quirky humor. I'll definitely be reading the next book soon.

4 of 5 stars

Book Review: A Study in Silks by Emma Jane Holloway

A Study in Silks by Emma Jane Holloway

Genre: Fantasy Historical Romance, Mystery

Series: Book 1 of The Baskerville Affair

Publisher: Del Rey

Date of Publication: September 24, 2013

Author Information: Website | Twitter 


Part steampunk historical mystery and part fantasy paranormal romance, I was initially drawn to A Study in Silks for its setting as well as its description of the main character Evelina Cooper as being the niece of the great Sherlock Holmes.

Eveline, however, is not solely defined by her famous uncle, and I liked how Emma Jane Holloway has given her character an exceptional background with which to distinguish herself. Thanks to her Granny Holmes, Evelina was plucked from a childhood of growing up with a traveling circus to be dropped into a world of lords and ladies, and here she must learn to live a life caught between two worlds.

But Sherlock Holmes' work has clearly also rubbed off on her, given how eagerly she aspires to follow in his footsteps. When a young servant girl is killed at the home of her best friend, Evelina does what she can for the investigation, going as far as to use her gift of the Blood, which allows her to communicate with minor spirits and recruit them to her aid.

At first glance, one would suppose there's a lot happening in this novel. In fact, one of the most noticeable features of the paperback when it arrived was how remarkably hefty it was. Coming in at more than 500 pages, it's much longer than I would have expected from a book of this genre and type, and my first assumption was that there would be a lot of world building.

In this, I suppose I was half correct. The setting is ambitious, definitely, in this world of steam barons, demons and devas, clockwork animals and automatons. A little too ambitious, maybe, seeing as I was left wishing more attention could have been given to both the steampunk and magical aspect, putting them in further context. I'd have loved to know more about the deva spirits, for example, beyond simply knowng that Evelina has the power to snare them in her mechanical toys and make them do her bidding.

The fact that A Study in Silks falls more heavily on the "paranormal romance" side of things might have something to do with this. Quite honestly, more emphasis in the story is given to providing juicy details about which character is fancying whom, rather than towards world building and setting up a murder mystery. In truth, if Sherlock Holmes were real he'd probably have a conniption fit over Evelina's methods. While I love her character, I don't actually think our heroine makes a good detective, as she often lets her emotional ties get in the way of her objectivity.

My take: The mystery plot spices it up well, but mainly check this book out if you like historical romance with a little fantasy thrown in, and extra bonus if you are a fan of delicious love triangles, which in itself provides a bit of suspense here. The book is definitely not without its merits, especially if you think you might enjoy the look into its elegant world of Victorian steampunk high society, complete with formal balls and debutantes.

Note: A Study in Silks was a book I won from a Goodreads giveaway. 

3 of 5 stars

"Elegant steampunk fantasy with romance

spiced with mystery"

Book Review: The Coldest War by Ian Tregillis

The Coldest War by Ian Tregillis

Genre: Science Fiction Fantasy

Series: Book 2 of The Milkweed Triptych

Publisher: Tor Books

Date of Publication: July 17, 2012

Author Information: Website | Twitter


Wow, did that seriously just happen?! Those were the words running through my head when I reached the very end of this book. Just when I thought this series couldn't get any crazier with its genre-bending goodness, it decides to throw me for another loop (which in the context of talking about this book is a rather clever pun, now that I think about it. I'm just a little miffed now because I can't explain it without spoiling anything!) The way I see it, as far as those shocking "I-NEED-to-know-what-happens-next" cliffhangers go, Ian Tregillis just raised the freakin' bar.

If I had to go back and talk about the first book of The Milkweed Triptych, Bitter Seeds (see my review here), I'd probably describe it as an alternate history World War II novel with both fantasy and science fiction elements, mostly due to its main premise involving Nazi Germany's lab-raised soldiers with superpowers versus the British's warlocks and their demons. This second book still has all of that, except it takes place some twenty years later, and even though the war is over, Great Britain now finds itself locked in a precarious power struggle with the USSR.

Now Project Milkweed is threatened when they find out that Britain's warlocks, the country's greatest defense in keeping their enemy at bay, are being killed off by an unknown assassin. Meanwhile, a pair of super-soldier siblings who fought for the Nazis in WWII escape their Soviet prison and make their way to England. One of them is Gretel, the psychopath pre-cog who is still obsessed with manipulating the life of British agent Raybould Marsh. Even after more than two decades, she is still pulling the strings, nudging the future towards her own mysterious agenda.

By all accounts, I should have liked this book more, and I think I would have if it weren't so utterly bleak. I know "Super soldiers vs. Warlocks" sounds like an interesting and unbelievably fun premise -- which it most certainly is, don't get me wrong -- but part of me is still having trouble getting over how dark this series can be sometimes. While I'm no stranger to dark fiction with dreary themes, there's just something about these books that unsettle the heck out of me and chill me to the bone.

I suppose depending on who you are, that can be seen as a good or bad thing. For example, in Bitter Seeds, I found that the disturbing ideas in the first book really worked in giving the story the hard edge it needed. I was able to transform those feelings of dread into suspenseful anticipation which kept me turning the pages, and also because I felt pity for the poor characters who have had such terrible things happen to them or are forced to make these awful decisions.

Unfortunately, my sympathy for the characters ran out and was largely absent for the most part in The Coldest War. The main players were mostly the same, but in the twenty-two years since the events of the last book, many things have happened to turn even the "good guys" into pretty despicable people in my eyes. While the main antagonist Gretel is still as evil as ever, I nevertheless had a difficult time bringing myself to muster up any enthusiasm to root for Marsh or Will this time around. There are no truly upstanding characters in this book, which normally isn't a problem for me; I find I can be drawn to even the most morally corrupted of characters if they are written well, but I honestly couldn't find anyone particularly likeable in this book, with the possible exception of Klaus, Gretel's brother.

Story-wise, though, I am absolutely floored. The ending alone was probably worth all the frustrating moments the characters put me through, not to mention the next book presents the perfect opportunity for many of them to redeem themselves. That last line in the epilogue has got to be the most effective two words in the history of book endings. I can't wait to pick up the third book for the finale, I MUST find out how it all ends.

3 of 5 stars

Book Review: Dragon's Child by M.K. Hume

The King Arthur Trilogy Book One: Dragon's Child by M.K. Hume

Genre: Historical Fiction, Arthurian Fantasy 

Series: Book 1 of King Arthur

Publisher: Atria Books

Date of Publication: November 12, 2013

Author Information: Website | Twitter

Thank you to Atria Books for sending me an advanced copy of Dragon's Child in exchange for an honest review! Originally published in 2009, a new edition of the paperback and ebook will be available later this fall, thus it was provided to me via Atria's latest Galley Alley program. This book first caught my eye when I found out it was an Arthurian fantasy novel written by an expert on the subject. Like many, I've been exposed to my share of retellings and interpretations of the King Arthur mythos in fiction (there are a ton out there!), but I am most definitely not well-versed in the historical details. This made me curious as to how an academic authority on Arthurian literature would tackle the legend.

Not surprisingly, the novel turned out to be a story of Arthur (known here as Artorex) and his journey from a humble childhood to become the High King of the Britons. Artorex is presented to us as the reluctant hero, whose personal choice would have been to raise a family on his foster family's farm and live out the rest of his days as a simple steward. Fate, however, has set him on another path.

I'll admit that I found it difficult to get into the story at first. The introduction to the hero's journey is a familiar one: the boy who everyone had initially dismissed suddenly discovers that he has a greater destiny. In the next few chapters, his skills are honed and he becomes stronger. He learns to fight, he learns to ride, and he gains all the experiences he will someday need to become a great leader. It was pretty standard, even as Arthurian legends go, and I had to suppress the temptation to skim this section, especially knowing that the real meat of the story had to be just beyond this point.

Thankfully, I was right and the book did get better. Much better, in fact, with the introduction of Gallia, Artorex's first wife. That's right, I did a double-take too when I saw that. M.K. Hume herself wrote in her Author's Note explaining that she once came upon an evocative reference in an obscure text named Guinevere as Arthur's second wife, but even though she could find no other material in her research that even hints at a first wife, the idea stuck. And I have to say, the fact whole epic trilogies can develop and evolve from tiny little tidbits like that is what fascinates me about historical fiction, and why I love the genre.

In this case, I really enjoyed the author's take on Artorex's childhood and teenage years, as well as her reasoning behind why she chose to tell his story the way she did. A lot of attention is given to these formative years, and I was surprised at how engaging the story became after getting past his boyhood training. Even though Hume used a third person omniscient point of view to narrate the story (which I normally dislike, because it tends to distract me from the main character), the focus always remained on Artorex, making his transformation from the boy known simply as Lump to King Artor of the Britons a very drawn-out but believable one.

In the end, I went from feeling luke-warm towards this novel to liking it quite a lot. The writing style can come off as a bit cumbersome at first if you're not used to it, but I later felt it suited the book very well, giving a cold edge to some of the darker and more violent parts of the story. This first book ends with Artorex being crowned the High King, and the best part is knowing there is so much more to his legend, which I'm looking forward to continuing in the rest of this trilogy.

 4 of 5 stars

Book Revew: The Isle of Blood by Rick Yancey

The Isle of Blood by Rick Yancey

Genre: YA horror paranormal

Series: Book 3 of The Monstrumologist

Publisher: Simon & Schuster Books for Young Readers 

Date of Publication: September 13, 2011

Author information: Website | Twitter

After having positive experiences with both the first two books in The Monstrumologist series, I eagerly anticipated getting my hands on the third book. This probably explains why I wasn't entirely prepared for my disappointed reaction when I finished. Don't get me wrong; on it's own and outside any biases or pre-conceived notions, this book is a solid horror novel for young adults. But compared to the The Monstrumologist (my review here) and even The Curse of the Wendigo (my review here), I have to say it fell quite a bit short.

The book starts off in a similar way as the others, teasing the next horrifying monster that our characters will encounter next. In this case, it's news clippings and reports about "red rain" and bloody raw meat falling from the sky. These incidents and the disgusting nidus, nests made of human parts and poisonous sputum, are the only evidence of the creature known as "the Faceless One of a Thousand Faces" or Typhoeus magnificum. For monster hunters like Pellinore Warthrop, it is considered the "Holy Grail of Monstrumology."

When a mysterious package shows up at the monstrumologist's door, our protagonist and narrator Will Henry witnesses firsthand how exposure to its gruesome contents rapidly turn the hapless courier who delivered it into a mindless, rotting horror. Dr. Warthrop, recognizing what's inside the package as a nidus, takes Will Henry on a race to follow the trail and track down the magnificum.

I didn't think this book was as impressive as its predecessors, for a couple reasons. Firstly, I'm not sure if this is merely a byproduct of Will Henry growing up over the course of the series to become a teenager in this novel, but this was the first time I actually found his character annoying. By design, he was moody, whiny and childish. I also sensed a shift in his narration style to become more abstract and ineffective, especially since we have so many more scenes in this book involving flashbacks, dreams, and delirious visions.

Secondly, my favorite character Dr. Pellinore Warthrop was largely absent for a big chunk of the story. Interesting things happen when he's around, so when he's not, all we're left with is Will Henry being mopey and feeling sorry for himself. While I can understand that this book is supposed to a deeper exploration into the relationship between the two of them, I can't help but think there had to be a better way to accomplish this. The inaction in the first part of the book was a letdown compared to the action and suspense I'd grown used to from this series, and really only the opening and the ending managed to come close.

On the bright side, I thought this was the most humorous out of the three books so far, with more light moments than I expected to balance out the depressing and melodramatic. While I considered this a positive point, The Isle of Blood just had a very different feel from rest of the series, with many departures from what I thought was the norm for these books. Like I said, it wasn't bad, but I can't deny I was expecting something maybe a little more fast-paced and entertaining, and a little less subdued.

3 of 5 stars

Book Review: Glamour in Glass by Mary Robinette Kowal

Glamour in Glass by Mary Robinette Kowal

I think 2013 has seen me branching out into more sub-genres of fantasy than any other year, thanks to participating in events like the Worlds Without End's Women of Genre Fiction Reading Challenge. Once, Mary Robinette Kowal fell into the category of "An author I've never read before, but would really like to" and so the book I chose for the challenge was 2012 Nebula Award nominated Glamour in Glass.

Someone once told me that when writing a review, it helps to think about what makes a book different and why readers should care. For this one, the thing that struck me right away was the setting. But while I may have read fantasy fiction aplenty that takes place in this time period, this is the first time I've actually ventured into something with strong elements of Regency romance, complete with the stylistic conventions that bring to mind the works of Jane Austen. This is also the first time I've ever heard the term "Fantasy of manners". Hooray for discovering new things!

It wasn't until after I picked up Glamour in Glass that I discovered it was actually the second book of a sequence called the Glamourist Histories. Normally, I dislike reading books in a series out of order, more out of a fear that I'd get lost than anything. That's why I was happy to learn that you don't have to read the first book Shades of Milk and Honey to follow the story and understand what's going on. The magic system in this book, called Glamour weaving and described with textile-related metaphors, was sufficiently explained and the general idea of it is easy to pick up. I also quickly got that our main characters, Jane and Vincent, were newly married since the last book, and now they're looking forward to settling down to a life of nuptial bliss and doing Glamour together.

However, at the start of this book is also the period following the abdication of Napoleon. While Jane and Vincent are on their honeymoon in Belgium, the deposed emperor escapes exile and makes his return to France, leaving the newlyweds with no easy way to return to England. 

Certainly, this book was somewhat of a departure from the kind of fantasy I usually read and the experience was very new and different for me. The language and characters' mannerisms are definitely in keeping with the time period, which I have to admit was delightful and yet frustrating at the same time. Mostly, the frustrations come from the narrator Jane and the way she dwells on issues for a long time and perceives every little indignity as a personal slight to her, especially those pertaining to marriage and her husband.

I find this still bothers me even when taking into account the era in which these books take place, a time when men and women's statuses vastly differ, so I'm not holding that against Jane. Instead, my dissatisfaction of her character stems from from her relationship with Vincent and how often their marriage feels "off". First of all, a big chunk of the novel's conflict is the result of a breakdown of communication between the two of them. I've seen this trope commonly used in romances, but I'm personally not a fan of it.

Also, despite being madly in love, the two of them don't seem to know each other very well. Awkwardly, Jane is still constantly discovering new things about her husband that surprises her or makes her doubt him, and I also found myself questioning why she so often feels the need to seek permission or approval from him for every little decision. I have to assume their courtship mustn't have lasted very long, but perhaps this is where I need to pick up Shades of Milk and Honey to find out. 

Speaking of the first book, I do intend to go back and read it. Despite my problems with the main character, I thought this book was well-written and contains interesting ideas. I can't really talk about some of the issues in it without giving away too many spoilers, but suffice to say the emotional reactions of the characters are very well-described, deep, and most importantly, realistic and believable. I also love the idea of Glamour magic, which is just abstract enough to give one the sense that it's so much more than can be put into words. I'm looking forward to learning more details about Glamour in the first book, as well as in future installments of this series.

3.5 of 5 stars

 

Book Review: The Golem and The Jinni by Helene Wecker

The Golem and the Jinni by Helene Wecker

I absolutely adored this. Magical realism at its finest! And even though it wasn't exactly what I had expected, I can't really say that I minded. Otherwise, as a character so deftly put it in this book, I would be like "a man who complains that someone stole the eggs from his henhouse and replaced them with rubies."

This fantasy novel is also a touching and meaningful immigrant tale at its heart, combining religion and mythology to tell a story of two supernatural creatures who find themselves in New York City in 1899. Chava is a magically-crafted clay golem, brought to life to serve a husband who dies at sea while on the voyage from Poland. When the ship reaches NYC, she is left directionless and without a master. Ahmad is a jinni, released accidentally after being trapped in a copper flask for hundreds of years. Though freed from the vessel, he finds himself still bound to the physical world by a band of iron around his wrist, placed there by the wizard who imprisoned him so long ago.

The story plays out like a fairy tale for adults, complete with elements like love and villains. It is filled with wonderful, fully-realized characters which hooked me from the start. The multiple narratives paint an enchanting picture of the bustling and culturally rich setting of turn-of-the-century New York, where immigrants from so many places around the world settled in the hopes of finding a better life. In this milieu, the golem and the jinni become two more faces in the crowd trying to seek a new beginning in America. Despite being creatures of lore, their struggles and aspirations make them feel entirely too human.

Both the golem and the jinni face questions and obstacles that deal with the notion of freedom versus subjugation; how the two characters approach these issues and choose to deal with them is what forms the basis for this story and makes it so interesting. In this novel, everyone you meet will guard their secrets and hold mysteries in their past. As you read on, the fun is in watching all these histories unfold and the connections start to form. 

Just simply a beautiful book, and a great choice if you're in the mood for some literary fantasy.

4.5 of 5 stars

Book Review: Blood & Beauty by Sarah Dunant

Blood & Beauty: The Borgias by Sarah Dunant

As you know, every once in a while I will find myself veering from my usual pattern of reading mostly sci-fi and fantasy and venture into the realm of historical fiction. I admittedly will do this for any interesting looking books about European royals or powerful families, especially those related to either the Tudors or the Borgias. Hence, this book.

Blood & Beauty focuses the Borgia family roughly between the years of 1492 when patriarch Rodrigo Borgia first began his papacy as Pope Alexander VI, and 1502 when his daughter Lucrezia Borgia married her third husband Alfonso d'Este, Duke of Ferrara. With scandals and rumors aplenty, this was an eventful decade for the notorious family, but also for the rest of Europe as well with their wars and ruthless politics.

First of all, I think that the author made a very brave choice when it came to using the third person omniscient point of view to narrate the story, even though there were both positive and negative sides to this. In getting to know the thoughts and feelings of all the characters in this novel, Sarah Dunant managed to convey the sweeping influence of the Borgias and acquaint us with practically everyone in the family. On the downside, because we don't get to focus on any one POV for long, the connections the reader has with the characters also feel impersonal and distant.

This last point wasn't much helped by the long sections of historical context and fact-dumping that were pervasive throughout the chapters, bogging down many parts of this book. This also made the novel feel more emphatic towards historical events rather than the characters, when I usually prefer it to be the other way around. On the other hand, this allowed us to see the bigger picture outside the personal dramas of the family, shedding light upon the political turmoil in other parts of Europe.

However, at times I felt like I was reading a dramatized history textbook. I would have preferred more emphasis on the characters; though, of all of them, Lucrezia did come across to me as the most well-rounded and fleshed-out Borgia. Still, Sarah Dunant pretty much played it safe with the rest when it comes to the exploration and interpretation of their personalities, and I wouldn't have minded if she'd pushed it a bit further. I'm usually okay when historical fiction writers take liberties, as long as those liberties aren't completely outlandish and are mentioned in an author's note.

Anyway, no doubt this period of time was very interesting when it came to the Borgias, but history does show us that the fun doesn't end there. It's why I was glad to hear that Sarah Dunant's already preparing a follow-up novel to this one. This is the first time I've read anything by her, and despite some minor issues I had with Blood & Beauty, I did enjoy it. I would be absolutely open to picking up the next book.

3 of 5 stars

Book Review: Tess of the d'Urbervilles by Thomas Hardy

Tess of the d'Urbervilles by Thomas Hardy

Tess's father, Mr. Durbeyfield, is jokingly told by a minister that his family is the direct lineage of an old, noble family that was once thought to be completely gone. There's nothing left of the family's land and fortune, except the family name (d'Urberville).

However, Mr. Durbeyfield and his wife see this as a chance to move up on the social ladder. They devise a plan to send their daughter to become acquainted with a rich woman who's last name is d'Urberville. From then on, Tess is left to try to maintain her dignity and honor and to pick up the pieces of her broken life that resulted from her parents' need to be important.

Hardy's prose is cynical, yet heartrending. I couldn't help feeling bad for Tess through all her troubles. This is not a happy novel. For a moment, you think that things will get better for Tess, but the fates seem to be against her.The landscape of the novel changes with the mood of what's happening. The land itself almost seems to be a living person that he described. He uses vivid, beautifully described imagery to describe people and places in his novels. There are themes of theology (Hardy had internal conflicts with believing in God), virtue, the boundaries of love. He employs everything from Greek mythology to modern (or what was modern in his day) poetry.

There are no illusions of a happily-ever-after in this story. This was simply a beautiful novel, a novel that told the story of a woman trying to survive ambition while trying to follow her own heart.

Final Verdict: 

5 of 5 stars

Book Review: Firebrand by Gillian Philip

Firebrand by Gillian Philip

It's been a while since I've come across such a difficult book to write about. Part of the issue involves the subject matter, themes, and ideas in Firebrand which all seem at variance with each other. This in turn gives me mixed feelings about the novel, because I struggle to even pin it down.

For example, at once it has the features of a historical fiction and yet also major elements of fantasy, specifically those pertaining to Celtic mythology. A big chunk of the book takes place in the Middle Ages, at the height of moral panic and mass hysteria over the devil and fear of witches. Unbeknownst to the humans, however, another world exists beyond the Veil, home to a race of beautiful immortals called the Sithe.

One of these beings is sixteen-year-old Seth, sent away from home by his insane mother Lilith who is adviser to the even more insane Sithe queen Kate. Seth grew up under the care of his father as a result, and became close to his older half-brother Conal. So when Conal is exiled to the other side of the Veil after a tiff with Kate, Seth follows voluntarily. The siblings are then forced to live amongst the mortals, attempting to hide their differences and Sithe powers in an atmosphere of danger, paranoia and superstition.

The book opens with a scene that tells the reader right away that the two of them have already failed. Caught up in a witch-hunt, Conal has been captured and is headed for the stake to be burned. I have to say it felt strange to have the climax of the novel presented to you in its first several pages, but it's also quite effective. Seth is left with not many choices, and you are left wondering what he might do and how the brothers got into this mess in the first place. The rest of the book tells that story.

It's entirely possible this is what made Firebrand feel so disjointed for me. At the same time, I also feel like there's not enough context given throughout the novel, certain sections giving me that strange sense I'm missing out on huge chunks of the story even though I know I'm not. It feels like there's an expectation for me to know everything that's happening around these characters, and even though Seth is the narrator, I often have trouble following his train of thought as he moves from action to action. It's like we're not always there with him in his head, perceiving or understanding things the same way he does.

Also, despite the ages of the main characters and the particular themes in this novel, I would hesitate to really categorize this book as Young Adult. This is just another one of those aforementioned contradictions I spoke of, because despite the nature of the marketing material and blurbs I see covering the dust jacket of my hardcover, it just doesn't read like YA. I can't really put my finger on why, as I wouldn't say it's inappropriate for the young adult audience either. I suspect the immortality of the Sithe characters may have something to do with it, as I see a stark difference between them and typical YA protagonists when it comes to their attitudes, way of life, and beliefs.

Whatever it is, somehow I just don't feel Firebrand fits the mold. For better or worse, I also think that about many other aspects of this novel. It was certainly a bit different, and the positive thing is I didn't dislike it -- in fact, I enjoyed reading this, but I don't think I can say I really loved it either. I think if its story and themes were more cogent, my thoughts and opinions on this book might have ended up less ambiguous.

Final Verdict:

3 of 5 stars