Star Wars Legacy by John Ostrander and Jan Duursema

Star Wars: Legacy by John Ostrander and Jan Duursema

The Jedi and Sith infuriate me. They are the same side of a spherical coin, but they refuse to see that. I have complained about my frustration with these Force users before, but usually, my complaints are within reviews of Star Wars books, games, shows, etc that point out the hypocrisy and stupidity of the Jedi and Sith perceived dichotomy. Star Wars: Legacy joins this collection.

Legacy takes place 100+ years after the original trilogy and is about Cade Skywalker, who is, well, a Skywalker. If there’s a “fate of the galaxy” involved, then assume a Skywalker will be there, for good or evil. Unlike the rest of the Skywalker line, events in Cade’s life have made him choose to forget his legacy, no matter how many times ghost Luke pops by for a visit. When we meet Cade, he is a bounty hunter hiding his last name and his Force abilities and drowning his visions with deathsticks, while the Sith, Galactic Republic, Imperials and Jedi fight over control of the galaxy – and of him.

Legacy starts with typical Star Wars tropes, familiar names and character archetypes that initially disappointed me because I had hoped that a series that takes place so far into the future could step away from all that. There were the cool ship and the cocky pilot and the princess and the questionable friends and the stoic Jedi and the evil Sith and, of course, a Skywalker. But once the connections to what we know had been established, the story comfortably moved on, with Cade leading the way as the atypical hero who has no interest in saving the galaxy, no matter what his name might be. Of course we know that the galaxy saving is going to happen anyway, right? But the books do a good job of casting doubt about the how and why. Will Cade give in to the darkness within him? Will he take up his legacy? Who will stand with him?

The series also adds interesting dimensions with the overall politics of war and all the sides involved. The Sith remain the official Big Bad and the Jedi the Persecuted Good, but now the Jedi and Sith are no longer intrinsically connected to the Imperial/Empire and Republic respectively. The two political factions in the middle teeter between fending for themselves, fighting within their own ranks, seeking alliances, betraying alliances… It’s not as confusing as it might seem. In fact, the politics became one of the aspects of the series that I really enjoyed, which surprised me. I also enjoyed the space battles, which don't necessarily translate well in this medium, but the battle tactics weren't overly dramatic and there wasn't any time wasted in the battle.

Despite the initial comparisons to movie counterparts, all the characters develop into strong players in their own rights. There are a LOT of characters, all of which are introduced in the primers, though not all play the prominent or support roles you might expect from them. My angry feminist initially poked her head out with the primer introductions for Moff Nyna Calixte with the glass ceiling accusations, Deliah Blue, the girlfriend with a wrench and Gunner Yage, the daughter that should have been a son. But, as with the rest of the series, everything moved on quickly from the basic tropes, and even the characters that appear only briefly are well established. Well, most of them.

Overall, an excellent entry into the Star Wars saga and one that anyone could get into, without knowing too much about the massive past.

Final verdict

3.5 of 5 stars

A Feast for Crows by George R. R. Martin

A Feast for Crows by George R.R. Martin

After 400 pages or so, "nothing" was happening in this book, and yet I could not stop turning the pages and had already rated this book at four stars. By the time I was done, I'd upped the rating to five stars and determined that this was my favourite book of the entire series.

I can see why many people would not like this book. As I said, "nothing" happens for a thousand pages. After the Battle of Blackwater, the Red Wedding, the War of Five Kings and various other violent and magical events that have taken place over the last three books, this book is stark change, but it is the book that proves just how atypical a fantasy series it is. I cannot think of a single fantasy trope that Martin uses in his storytelling. I cannot identify any tropes, for that matter. From the moment he chopped off the apparent hero's head, Martin made it clear that we are not to expect anything but the unexpected. Don't try to guess what happens next and to whom because you are very likely to be wrong.

No, that's not true. If you guess that someone is going to die, then you'd probably be right. Where, when and how, you won't guess, but it's pretty safe to assume that everyone's going to die in A Song of Ice and Fire. Don't get attached. There is no shortage of death in this book, but, interestingly, a lot of it happens offstage. A lot of everything happens offstage, actually, with information passed on through rumours and the occasional crowmail.

The reader is just as much in the dark about many occurrences and there is no such thing as dramatic irony to rely on. Keeping in mind that A Feast of Crows is only half the story Martin wished to tell in this part of the series, this shouldn't be a surprise. The prominent characters missing from this book are a part of the next and presumably, the rumours we are reading about here will be made more clear in A Dance with Dragons. Not that there are no prominent characters here. There are many, many characters in Crows, with several new ones being introduced, as well as new plots and twists. It may seem as though this would make the series too convoluted for its own good, but the beauty of Martin's epic is that it is so realistic. Of course all these plots and characters would exist in such a world, under such circumstances. It is absolutely amazing that Martin threads it all together so coherently and completely such that a reader paying attention simply can't get lost, despite the magnitude of characters and plotlines.

Crows takes the time to delve very deeply into these characters and plots. This is where many may complain, because the book does not seem to move very far forward. It is filled with characters conniving, searching, plotting, whining, grieving, coping, and most importantly, changing. Several major characters undergo some intriguing transformations throughout this book. Some don't realize they are changing, while others have recognized the changes in themselves and their relationships and look further inward as they grow and learn to survive within the game of thrones. Others change literally, becoming someone else, even as they try to stay true to who they were.

Final verdict:

4 of 5 stars

January Reads

January Reads for the Levar’s Rainbow Book Club come from Goodreads’ top-voted Science Fiction and Fantasy nominees for 2012. Note that books in the middle of a series are not included in the book choices. 

Alif the Unseen was voted the top choice for this month by book club members.

Anna Dressed in Blood by Kendare Blake

Anna Dressed in Blood by Kendare Blake

I’ve been watching horror movies and reading horror books nearly as long as I’ve been reading. Nothing much scares me or surprises me anymore with the genre, but I still enjoy the genre because of the atmosphere the stories present as well as how the stories are told. I think horror novels are some of the more inventive lords of fiction. And while the BIG BAD may not scare me, I always find that there’s a certain amount of trepidation I feel for the characters, for lack of better word, when viewing/reading horror if the story is well crafted—even though I know 90% of the time they’re going to make it out of the story mostly intact. Anna Dressed in Blood was no different. I didn’t find the story scary, but I loved this certain level of eeriness this story possessed.

Musings: The Hundred Thousand Kingdoms

I adore this book. I could not sleep after reading it - after staying up ridiculously late to finish reading it - my mind was too busy. I bought the trade paperback of the book and read it again within two months because I love this book so much. It was even better the second time through, knowing what I knew now about the events and characters.

Perhaps one day I'll write a proper review for this, but for now, I can only tell you that I give this book five stars and I recommend it to everyone.

For now, some of the many thoughts inspired by The Hundred Thousand Kingdoms. (SPOILERS)

Dragon Age: Those Who Speak by David Gaider

Dragon Age: Those Who Speak by David Gaider


The Silent Grove re-opened a few issues raised in Dragon Age: Origins and the prequel book, The Stolen Throne, and added a few new ingredients. I was worried that Those Who Speak would fail to deliver an appropriate conclusion to all of that in a mere three issues – and I was right. Fortunately, Those Who Speak is not a conclusion, but rather an interlude where King Alistair and his companions, the pirate queen, Isabela, and the dwarven businessman, Varric Tethras, gain a new old ally and, more importantly, we get a further peek inside Isabela.

From book two onward, this is clearly Isabela’s story. Alistair’s hunt for his daddy and his dragon blood issues can wait. This is about the Pirate Queen that some players of Dragon Age II may have dismissed because of her penchant for sex, violence, sex, sex and abandonment. But in truth, despite being paid to accompany Alistair, she is fiercely loyal to those who earn her trust, even at cost to herself. Her devotion to her crew above all is admirable, as is her seemingly unbreakable spirit.

As much as I like the visuals, I wish David Gaider had taken the time to make this another Dragon Age novel, instead of a series of comics. In his novels, he has more room to expand on these characters and is skilled enough in his descriptions of the places, actions and events that he could have brought far more to the story and characters than we see here.

Final verdict:

3 of 5 stars

Traitor by Matthew Stover

Traitor by Matthew Stover

The issue I have with the Force is that the movies made everything so black and white. Give in to your hate and passion and poof, you’re dark side. The Sith have their code about killing all the things and power, and the Jedi have their code about not having sex and only killing all the things when you really, really have to. Both are annoying opposites and their philosophies and drama grow tiresome after a short time, more so when the struggle for every Jedi in the Star Wars universe includes going dark and staying dark, or going dark and finding redemption.

Thankfully, my recent gaming adventures into the Old Republic have renewed my faith in the Star Wars universe by providing numerous characters and stories that go deeper than the black and white/good and evil trope.

Yes, I did say Jedi Chicken.
Not to be confused with the
Jedi Bunny

Jolee Bindo started me down the path in KOTOR. In KOTOR2, Kreia, my beloved and hated master (spoilers), truly broke this trope, and then Traitor took it all one leap further, with the help of a Jedi chicken named Vergere who was once a source of ridicule for me, but is now a subject of respect, curiosity and maybe even some awe and adoration.

I initially had trouble with the New Jedi Order series – though I only read the first book – mainly because of the new enemy, the Yuuzhan Vong. While I liked the idea of a dominating race outside of the Force, I got a little tired of the “organic app for that” way the Yuuzhan Vong could deal with every single thing (except Lando’s pocket world melters and those pesky Jedi kids). The events on Sernpidal broke the Star Wars bubble of heroes (not including Jedi Masters who need to motivate their padawans) never die and set the tone for the subsequent series.

I skipped several books to pick up Traitor, as recommended by my fandom hero, Beccatoria. That bubble breaking had continued (though I’d already spent enough time on Wookieepedia to know that) and we now have Jacen Solo (spoilers) dealing with his “death” with the help of Vergere who robs him of the Force, tortures him with pain and forces him to question everything he is and everything the Force is and is not, in order to find his own path that surpasses both the darkness and the light.

It is a very personal journey that we get to go on with Jacen that initially had me at about three stars, but once all was said and done and Vergere revealed her pride in her student/teacher, I found myself overwhelmed with curiosity about what this means for the future of the Jedi and Sith through Jacen’s ... enlightenment.

4 of 5 stars

Parable of the Talents by Octavia E. Butler

Parable of the Talents by Octavia E. Butler

Octavia E. Butler’s books are not for the squeamish and most certainly not for people who want happy, Hollywood endings. Things work out in the end – but never in a nice neat package. There is always a lot of loss in all of its most painful forms. Her works are very realistic in that matter. In fact, her works are realistic in all matters. They are a reflection of life and of the human spirit. They don’t allow you to escape into science fiction and fantasy as easily as other books in the genre might. They are harsh truths.

Butler’s books are considered science fiction, but she stresses that science fiction is not just about the fantastical, requiring a big suspension of disbelief. Even when her stories involve aliens, mutants or vampires, there is still the sense that such things could very well happen in our very near future.

Cloud Atlas by David Mitchell

Cloud Atlas by David Mitchell

I read this book because of the trailer, like many others. The trailer - despite the presence of Tom Hanks AND Halle Berry - fascinated me, though I could not fathom what was going on in what promised to be an excitingly visual journey through the times and lives of oddly connected people.

The first chapter was a difficult start, mainly due to the language. An older, more formal English, the dialogue was filled with words and nuances I didn't understand, but rather than break the mood to look everything up, I just sank in and let Adam Ewing's meanings come to me.

In the second chapter, featuring Robert Forbisher, the language changed dramatically. By the third chapter, about Luisa Rey, I had gotten the concept of the connecting threads, no matter how thin, between the people (though I felt the birthmark was a bit too contrived), but more importantly, I had fallen in love with the language and concluded that it was as much a character in this story as the people themselves. It shaped them as it moved and flowed and changed through each chapter...

Reviewing the trailer now that I have finished the book still leaves me wondering, though now I'm wondering just how they are going to tell this story - these stories - and tell them right. It's not really the "action adventure" that People Magazine describes it as... and the trailer implies that the directors have opted to make the connections much less subtle than the book does... I will have to return to this review once I've seen the film for comparison....

4 of 5 stars

Dragon Age: The Calling by David Gaider

The Calling by David Gaider

Story-wise, this wasn't as good as its predecessor, The Stolen Throne, with a somewhat shaky plot pushed a long by the questionable motivations of the characters. Fortunately, it was the characters that made me want to read these books in the first place in order to learn more about them, and Gaider again delivered, with the focus, this time, on Maric and Duncan. He adds a load of depth to both characters, making me love them all the more and feel for them and those that come after.

Maric was already a charming character by the end of The Stolen Throne but events from the end of that book and since served to break him. He is a man depressed and ready to die, with nothing to save him from his darkness. Meanwhile, the stoic Duncan we know from the game used to be a swarthy, cocky and sneaky young thief with a reasonably noble heart and a healthy fear of his Warden Commander, Genevieve, who is leading the mission into the deadly Deep Roads to hunt for her brother. The Calling also relates to Dragon Age: Awakenings, introducing the sentient darkspawn known as The Architect, as well as a few of his companions.

As I said, the plot and motivations of the characters are rather weak. It was frustrating watching characters make decisions that really made no sense, serving no purpose other than to push them to the ultimate goal of finding Genevieve's brother. That done, we end up with the plot twist which, while unsurprising, was also questionable. I concluded that the actual plot really was not the important thing to Gaider. He was more interesting in adding character backstory to alter canon created within the games, most notably with the parentage of Maric's bastard son, Alistair.

Otherwise, I really like Gaider's grasp of battle writing. It probably helps that I've played the game these books spawn from, but I think anyone else would appreciate and be able to visualize the battles and how each character moves and flows within them. Playing the game means you can actually visualize the commands used by the PCs and NPCs in game. And, in spite of the weak story surrounding them, I adore the characters. Gaider writes them all well, making them all very interesting - redeeming the apparently irredeemable, questioning the noble and letting us see their darkness. I love the relationships he develops between them and love the bittersweet and the heartbreaks that he seems to enjoy writing.

2.5 of 5 stars